There is a huge list of shorts, features and documentaries eligible for voting for the 2010 IF Awards with AFTRS connections.
Voting for the 2010 IF Awards closes in September so go to
the
IF awards website and start voting for your
favourite films now.
Vote for one or all of these AFTRS shorts:
Cosette - directed and co-written by Samantha Rebillet
(Directing, 2006), co-written by Michael Phelan (Screenwriting,
2005), and produced by Lisa Lloyd (Producing, 2006)
Cupid - directed and co-produced by Melvin Montalban
(Directing, 2008), written by Timothy Wilde (Screenwriting, 2007),
produced by Trinni Franke (Producing, 2008)
Invasion - written and directed by Jessica Redenbach
(Producing, 2008)
Liebermans in the Sky - written and directed by Richard
Vilensky (Directing, 2008), produced by Jessica Redenbach
(Producing, 2008)
Slut The Musical - written and directed by Tonnette
Stanford (Directing, 2009)
Vote for the AFTRS-NIDA feature length co-production:
Before the Rain, the AFTRS/NIDA feature-length co-production
made in 2009 is eligible for rating
Vote for an Australian feature made by AFTRS
graduates:
- Accidents Happen - the debut feature by AFTRS
graduate Andrew Lancaster (Sound, 1994) with production design by
Elizabeth Mary Moore (Design, 1997) original music by Antony Partos
(Sound, 1991) and editing by Roland Gallois (Editing, 1995)
- Beneath Hill 60 - art direction by Sam Hobbs (Design,
2002), assistant art director Ross Perkin (Design, 2004), sound
design by Liam Egan (Sound 1987), dialogue editor Tony Murtagh
(Sound, 1988), sound effects editor Alicia Slusarski (Sound, 1992),
assistant sound effects editor Jennifer Sochakyj (Sound,
2008).
- The Boys Are Back - production design by Melinda Doring
(Design, 1998)
- Bran Nue Dae - directed and co-written by Rachel Perkins
(Producing, 1996), cinematography by Andrew Lesnie (Cinematography,
1979), production design by Felicity Abbott (Design, 1999), art
direction by Sophie Nash (Design, 2003)
- Bright Star - directed by Jane Campion (Directing,
1984)
- Daybreakers - dialogue editor Derryn Pasquill (Sound,
2004), dialogue editor Jenny T. Ward (Editing, 1992), composer
assistant Daniel Baker (Screen Composition, 2007) and music
preparation by Jessica Wells (Screen Composition, 2005).
- The Kings of Mykonos: Wog Boy 2 -
directed by Peter Andrikidis (Directing, 1981), original music by
Amanda Brown (Screen Composition, 2000).
- Mao's Last Dancer - art direction by Elaine Kusmishko
(Design, 1998)
- Triangle - production design by Melinda Doring (Design,
1997)
- The Waiting City - Claire McCarthy (Directing, 2001)
wrote, produced and directed the feature alongside fellow graduates
Denson Baker (Cinematography, 2001), Michael Yezerski (Screen
Composition, 2001) Pete Baxter (Production Design, 1996) and
Justine Seymour (Costume Design, 2001)
- Matching Jack - written by Lynne Renew (Screenwriting,
1994)
- $9.99 - production design by Melinda Doring (Design,
1998)
- Caught Inside - directed by Adam Blaiklock (Directing,
1998) and co-written by - Joe Velikovsky (Scriptwriting,
1997)
- Coffin Rock - written & directed by Rupert Glasson
(Directing, 2003), original music by John Gray (Screen Composition,
2003), edited by Adrian Rostirolla (Editing, 2003), conductor &
orchestrator Jessica Wells (Screen Composition, 2005),
dialogue editor Belinda Trimboli (Sound, 2008)
- Dreamland, written and directed by Ivan Sen (Directing,
1998)
- Girl Clock, with cinematography by Nicola Daley
(Cinematography, 2005)
- Little Sparrows, sound recordist Nathan Codner (Location
Sound, 2005),
- Lou, written & directed by Belinda Chayko
(Scriptwriting, 1990), Tony Ayres (Scriptwriting, 1990) as
producer, Hugh Miller (Cinematography, 2003) DOP, production design
by Pete Baxter (Design, 1996), Liam Egan (Sound, 1987) as
sound editor, Murray Lui (Cinematography, 2000) camera
operator and Ceinwen Berry (Editing, 2007) as assistant
editor.
- Mother Fish, with cinematography by Peter Holland
(Cinematography, 2003) and editing by Alison Croft (Editing,
1998)
- My Tehran For Sale, written and directed by Granaz
Moussavi, cinematography by Bonnie Elliott (Cinematography,
2007).
- Playing for Charlie, cinematography by Leilani Hannah
(Cinematography, 2001)
- Prime Mover, written and directed by David Caesar
(Cinematography, 1987), original music by Paul Healy (Sound, 1994),
cinematography by Hugh Miller (Cinematography, 2001), edited by
Mark Perry (Editing, 1987), production design by Nell Hanson
(Design, 1999), sound design by Liam Egan (Sound 1987), dialogue
and adr editor Tony Murtagh (Sound, 1988), sound effects editor
Jennifer Sochakyj (Sound, 2008).
- Road Train, cinematography by Carl Robertson ACS
(Cinematography, 2006),
- South Solitary, directed by Shirley Barrett (Directing,
1988)
- Stone Bros, cinematography by Joseph Pickering
(Cinematography, 1981), production design by Sam Hobbs (Design,
2002)
- Subdivision, directed by Sue Brooks (Directing,
1985)
- Summer Coda, cinematography by Greg de Marigny
(Cinematography, 2008)
- The Clinic, original music by Angela Little (Screen
Composition, 2008)
- The Loved Ones, directed by Sean Byrne (Directing,
2001), edited by Andy Canny (Editing, 2001), co-produced by Mark
Lazarus (Producing, 1994) and cinematography by Simon Chapman
(Cinematography, 2002)
- The Nothing Men, co-produced by current Graduate Diploma
student E.James Wright, cinematography by Peter Holland
(Cinematography, 2003), edited by Adrian Rostirolla (Editing,
2003), art direction by Sophie Nash (Design, 2003)
- The Tree, cinematography by Nigel Bluck (Cinematography,
1996), costume design by Joanna Park (Design, 1994)
- Tomorrow When The War Began, assistant art director
Kristen Anderson (Design, 2000), assistant sound editor Cameron
Grant (Sound, 2008), sound re-recording mixer Robert Sullivan
(Sound, 1987)
- Uninhabited, original music by Peter Miller (Sound,
1979)
- Wasted on the Young, production design by Sam Hobbs
(Design, 2002)
Vote for an Australian documentary made by AFTRS
graduates:
- Boxing for Palm Island - directed by Adrian
Wills (Directing, 2003), cinematography by Nicola Daley
(Cinematography, 2005), edited by Andrew Soo (Editing, 2003).
- Cane Toads: The Conquest, written, produced and directed
by Mark Lewis (Directing, 1981)
- Glottal Opera - directed by John Fink (Screenwriting,
2009)
- Anatomy of a Massacre - edited by Rob Buttery (Editing,
2002) and Andrew Soo (Editing, 2003).
Eye directed by Andy Canny (Editing, 2001) (with Donna
McCrum) and produced by Tony Ayres (Scriptwriting, 1990).
- Identity on Motion, directed and produced by Martha
Goddard (Directing, 2009), cinematography by Christopher Miles
(Cinematography, 2009), edited by Gwendalina Sputore (Editing,
2009)
- Love, Lust and Lies, directed by Gillian Armstrong
(Directing, 1974)
- Swamp Dogs, directed by Tom Hearn (Documentary,
1999)
- The Extraordinary Tale of William Buckley, written and
directed by Malcolm McDonald (Cinematography, 1981)
- The Long Goodbye, directed by Kaye Harrison
(Cinematography, 1997)
- The Mission, written and directed by Varcha Sidwell
(Directing, 1988)
- The Snowman, co-produced by AFTRS sessional Screen
Content lecturer Rachel Landers, who also lensed alongside Simon
Smith (Cinematography 1980), original music by Benjamin Speed
(Screen Composition, 2008), editing by Lindi Harrison (Editing
1994).
- William Yang: The Art of Seduction, directed by Craig
Boreham (Directing, 2009), DOP Bonnie Elliott (Cinematography,
2007)
Voting closes on September 17, 2010
Image: Jacinda Barrett in Matching Jack, from the film's official website.
