The Digital Futures Summit is an opportunity for leaders, educators and policymakers in the Australian and international screen and broadcast industries to discuss the impact, challenges and possibilities of technological change on labour, training and creativity.
The fifth summit, Anticipation: Imagining the Screen and Audio Industry in 2030, we invite presenters to examine the future in different areas of the Screen and Audio industry and the Creative Education sector.
Featuring five sessions, the free, interactive online event focused on the theme of Anticipation will be a thought-provoking exercise in the forward-thinking and collective imagining of sorts to anticipate the future of the screen and audio industry.
Anticipation: Imagining the Screen and Audio Industry in 2030
Session 1 - The Next Disruption of Media: In Conversation with Doug Shapiro
The Summit opens with Doug Shapiro, author of The Mediator, independent advisor, strategist and media analyst. In an in-depth conversation with Australian media leader and communicator Paula Kruger, Shapiro will reflect on where we are today in the media and screen industry, how we anticipate emerging disruptions and better prepare for them, and an opportunity to imagine where we want the industry to go. This session includes an opening address from AFTRS’ CEO, Dr Nell Greenwood.
Speakers:
- Doug Shapiro, Founder, Doug Shapiro Media
Doug has been in and around media for 30 years, both inside and outside. He spent 14 years as a Wall Street analyst covering media, then 12 years at Time Warner, including a stint as Chief Strategy Officer of Turner and SVP, International and Corporate Strategy. Today, he is the author of The Mediator (a widely read publication about the structural changes underway in media), an independent advisor, speaker, and senior advisor for Boston Consulting Group.
Moderator:
- Paula Kruger, CEO, Media Diversity Australia
Paula Kruger is an accomplished media leader and communicator with more than 30 years of experience. She has worked in various roles, including broadcast journalist, radio presenter, manager, trainer, recruiter, and talent development.
Most recently, Paula served as the Managing Director of Sydney radio station 2SER. Before that, she enjoyed a long career with the ABC, working in management, editorial, and on-air roles in Sydney, Canberra, and Perth.
Paula is passionate about journalism and ensuring that the people who have the privilege of telling our stories reflect Australia’s rich and diverse cultural landscape. Her life has celebrated this diversity; she grew up in both Australia and Fiji and takes immense pride in her Australian, Indigenous Fijian, and Indian Fijian heritage.
In the early 1990s, fuelled by a desire to embrace the call for Australia to “engage with Asia,” she ventured to the vibrant city of Bangkok, where she began her media career. There, she spent four transformative years working with journalists and media professionals from Thailand and around the world, enriching her understanding of industry disruption and diverse perspectives.
Session 2 - Ingenuity and Imagination: The Future of Creative Education
How will creative education evolve to meet the demands of a rapidly changing industrial and cultural landscape and be able to thrive? This panel brings together thought leaders in education, industry and research to explore and envision the future of learning environments, training and the role of technology in shaping tomorrow’s learners.
Speakers:
- Distinguished Professor Marnie Hughes-Warrington AO, Provost and Chief Academic Office, Standing Acting Vice Chancellor, University of South Australia
A graduate of the Universities of Tasmania and Oxford, Marnie has a global profile as a philosopher and as an historian. Her current work looks at how AI makes histories, and how histories might be made in future which are efficient, safe, and ethical. Her writing has been translated into five languages, over 26,000 copies of her books have been sold, and her theories are taught across the world. She has led or been an investigator on a total of $18 million in grants. Her most recent books are History from Loss (edited with Daniel Woolf, 2023) and The Routledge Companion to History and the Moving Image (edited with Kim Nelson and Mia Treacey, 2023) and she is co-secretary general of the International Commission for the History and Theory of History. In 2022 she was made an Officer in the Order of Australia for her contribution to higher education governance, leadership, and mentoring.
- Jakob Kirstein Høgel, Head of Education and Research, National Film School of Denmark
Head of Education and Research at the National Film School of Denmark. Co-founder of Rough Cut Service, a consulting collective of world-class editors. Film commissioner for documentaries at West Danish Film Fund. Former Artistic Director of New Danish Screen, a succesful talent development scheme and innovation fund (2007-14). Before that founder and co-owner of Danish production company, Cosmo Doc. From 1999-2004 he was commissioning editor for Documentaries & Shorts at the Danish Film Institute. Visual anthropologist with a focus on developing film sectors and film policy. He wrote the first film law of Bhutan.
Moderator:
- Dr Nell Greenwood, CEO, Australian Film Television and Radio School
Nell Greenwood is an academic leader, screenwriter and creativity advocate with more than 25 years of experience in screen education and international film and television production.
Nell’s career started in content development and she has held several senior industry roles including Head of Development at the Irish Film Board, Head of Development at Natural Nylon Entertainment (home to Jude Law and Ewan McGregor) as well as Head of Development at Element Films (producers of The Lobster and The Favourite) before embarking on a career as a screenwriter. Her writing credits include False Witness for UKTV (Foxtel), which won an AFI, as well as Pride and Joy, which was nominated for Best TV Film at the 46th Monte Carlo TV Film Festival. Nell began teaching and discovered a passion for education, in particular creativity and how to engage and foster students’ brilliance and unique creativity in the classroom. She is also passionate about increasing female representation and diversity within the screen and broadcast industry and forging deeper inter-disciplinary connections across industries here and abroad.
Since 2013, Nell has held multiple senior roles at AFTRS including Head of Screenwriting, Course Leader Masters and Head of Programs and, most recently, Director of Curriculum & Student Registrar. She has a PhD from The University of Sydney on Creativity and the Unconscious in the Screen Arts Classroom.
Session 3 - Producing 2030
What skills and business models will producers need to develop or hone to thrive in the future? In this session, experienced producers are invited to anticipate what producing could look like in 2030, in a landscape that may be vastly different to the ecosystem in which they built their careers. New skills will be essential to create original content, finance productions, integrate new technologies, connect with audiences and embed sustainability, inclusivity and wellbeing into our practice.
Gain valuable insights from leading practitioners and deep thinkers committed to anticipating the challenges and opportunities for local production, and the skills needed to navigate a new era of storytelling.
Speakers:
- Grainne Brunsdon, Chief Operating Officer, Screen Australia
As COO, Grainne leads on Content and Operations, including investment and initiatives across Australian screen content, including film, television, online, documentary and games; industry development and international programs.
- Michael Tear, CEO, WildBear Entertainment
Michael Tear is a seasoned media executive with expertise in film and television production, finance, and business strategy. As Co-Founder and CEO of WildBear Entertainment, he has led the company’s growth, securing major international partnerships and high-profile commissions.
With over 250 hours of film and television credits, Michael has produced and executive produced award-winning content for Netflix, ABC, History Channel, Discovery, Arte, ZDF, and National Geographic. He was also an Executive Producer on The Babadook. His recent productions include Every Little Thing (Sundance), The Last Daughter (Netflix), Stuff The British Stole S1 and S2 (ABC, CBC), and Runn (Netflix).
Michael continues to drive WildBear’s expansion, leveraging global co-productions, strategic financing, and innovative storytelling to position the company as a leading force in the screen industry.
Session 4 - Hear-Say: Exploring the Future of Listening
Radio isn’t dead, but it’s no longer alone. It’s just one part of a burgeoning, disrupted, rapidly evolving audio industry, where competition is fierce and revenue is in flux, yet opportunities are great. Join distinguished broadcasters and industry leaders as we imagine for the future of radio and audio and how we might continue this transformation.
Speakers:
- Dre Ngatokorua, Broadcaster, Umeewarra Aboriginal Media Association
Dre Ngatokorua is a proud Wangkangurru, Adnyamathanha, Kuyani, Luritja, Deiri, Yankunytjatjara, Cook Island (Mangaian), and Māori (Ngāpuhi) man. He is a respected cultural ambassador for his communities of Davenport and Port Augusta, with a strong commitment to storytelling, media, and youth empowerment.
Since 2013, Dre has been actively involved in broadcasting through Umeewarra Media, expanding his contributions to Umee TV, Umee Stories, and presenting the Port Augusta NAIDOC News. His passion for amplifying First Nations voices is reflected in his mentorship with ABC’s Heywire program and as a Trailblazer participant, supporting young people across the nation.
Dre currently serves on the boards of First Nations Media Australia, the Community Media Training Organisation and is a member of the Country Arts SA and Arts SA ATSI Advisory Committees. Through these roles, he continues to advocate for culturally strong, community-led creative development.
A skilled storyteller and content creator, Dre works across audio and digital media to share Indigenous stories. His award-winning project MoZzi X Inkatja: New Moon is a powerful multimedia cultural experience showcased at festivals throughout South Australia and internationally, celebrating community, culture, and innovation through contemporary and traditional expression.
- Suman Basnet, Regional Director, AMARC Asia-Pacific
Suman Basnet is a media professional from Nepal.
He currently serves as the Regional Director for Asia-Pacific region of the World Association of Community Radio Broadcasters (AMARC). He works closely with community broadcasters and advocates of freedom of expression to promote people’s right to broadcast, to strategize for people’s participation, and to promote sustainability of community radios. Policy advocacy, supporting marginalized communities to access community broadcasting, promotion of gender diversity in community radios, technological adaptation, network development and using community radios for disaster risk reduction are some of his main areas of work.
Suman started his career in broadcasting in 1987 as a TV producer, eventually moving to print media and working as an independent documentary filmmaker until 2002 when he joined AMARC.
In addition to organizing numerous international seminar and conferences in different parts of the world, Suman has spoken in international symposiums, workshops and seminars on issues ranging from media legislation to community participation, and from sustainable growth of community media to building alliances with social movement in the Asia-Pacific region.
One of his main interests is to study media’s role in peace building and conflict resolution and to learn how theories can be transformed into actions in everyday community-media work.
Suman has a University Degree in Business Management and a diploma in Journalism.
Moderator:
- Andrea Ho, Discipline Lead, Radio & Podcasting, Australian Film Television and Radio School
Andrea Ho is a media professional and an experienced leader, broadcaster and content maker. Andrea started her broadcasting career in community broadcasting in Melbourne and NSW, in content production, on-air, and leadership roles at 3RRR and TUNE FM as well as at SRA (later part of SYN FM) and Channel 31.
She moved into journalism and daily on-air presenting at the ABC in regional NSW, and went on to lead ABC radio/online teams in Hobart and Canberra, and then executive leadership as Head of Planning, ABC Regional and Local.
Andrea designed and introduced a system to track diversity in media content at the ABC, after completing a Churchill Fellowship investigating practical strategies for increasing cultural diversity in broadcast media. She oversaw the ABC’s emergency broadcasting during the unprecedented 2019-2020 bushfires, and led the COVID-19 operational response for the ABC Regional and Local network in 2020.
Andrea was a founding Co-Director of the Economic Media Centre which trains and supports community spokespeople on economic and social issues in news media.
She was most recently the Director of Education for the Judith Neilson Institute for Journalism and Ideas, where her remit extended from local to national and international initiatives and partnerships.
Session 5 - Closing Keynote Address by Lynette Wallworth
What new narratives can ignite our way forward? Which voices, narratives and methods of storytelling can connect us beyond the challenges of our everyday realities? In this session, Australian artist and filmmaker Lynette Wallworth reflects on the role and importance of stories, storytelling and storytellers, and articulates ideas that can propel us into the future.
Keynote Speaker:
- Lynette Wallworth, Australian Artist & Filmmaker
Lynette Wallworth is a two-time Emmy Award-winning Australian artist/filmmaker whose works include the interactive video installation Evolution of Fearlessness; the DOMIE Award-winning fulldome feature Coral, with its accompanying augmented reality work; the AACTA Award-winning documentary Tender, the Emmy Award-winning virtual reality narrative Collisions which premiered at the Sundance Film Festival and the 2016 World Economic Forum, Davos and XR work Awavena which premiered at Sundance Film Festival and was in competition at the Venice Film Festival 2018. Awavena was awarded a News and Documentary Emmy in 2020.
She has been awarded a UNESCO City of Film Award, the Byron Kennedy Award for Innovation and Excellence, and in 2016 was named by Foreign Policy magazine as one of the year’s 100 Leading Global Thinkers.
Wallworth has been a frequent advisor to Sundance Institute Labs. She directed the New Narratives Lab for the World Economic Forum to support emerging leadership for under-represented voices. She is a member of the World Economic Forums’ Metaverse Working Group and she is a member of the Technology Committee for the Sundance lnstitute. Her most recent work is the feature documentary Edge of Life produced by Jo-Anne McGowan, a Stranger Than Fiction Production.

PAST EVENTS
Find more about previous Digital Futures Summits below.
2024 - AI and the Creative Horizon
The fourth summit delivered a range of conversations around creativity, pedagogy, ethics, Indigenous sovereignty and inclusion in the emerging age of AI. The live and interactive online event included some of Australia’s and the world’s foremost AI experts from a range of different companies, universities and institutes.
If you are interested in the ideas discussed, please enjoy the AFTRS Digital Future Summit: AI and the Creative Horizon e-book.
Session 1 – Learning with AISpeakers:
At the foundation of AI is a relationship between artificiality and intelligence, which raises compelling questions about cognitive processes, creative intelligence, and the development of technological behaviours. This session introduced the Digital Futures Summit with a panel focused on interactions between the brain, literacy, and pedagogy in the use of AI in creative industries education, especially as it relates to screen and audio practice. |
Session 2 – Critical Making: AI in Screen and Audio EducationSpeakers:
AI in the classroom is a challenge for the education sector. For screen and audio education, navigating this challenge involved being open to how AI can enhance opportunities for creative, critical making in the learning journey while also being attuned to how such technologies can influence the nature of imagination and play in creative practice education. This panel discussed case studies on how AI can be used in the space. These case studies provoked questions about creative practice-based learning, innovation in education, and consequences on access and inclusion to respond to the impact of rapid technological change in the classroom. |
Session 3 – Augmented Creativity: AI in the Creative IndustriesSpeakers:
The increasing sophistication of AI means that tools for generative creation are more widely adopted by industry professionals in the screen and audio sectors. This panel convened screen and audio industry leaders to explore the opportunities and challenges of experimenting with AI at the professional level and how adopting these tools might reshape professional production processes and workflows. Underpinning this discussion was the question of whether AI is just another tool to optimise professional practice or whether there are inherent limitations facing its standardised use in the screen and audio industries. |
Session 4 – Indigenous Sovereignty and AI: Storing Cultural Practices and Reclaiming Narratives through AI, Film, Radio and BeyondSpeakers:
The session explored how AI can be used as a tool in Film, Radio, Television and beyond to support our already existing Indigenous Knowledge (IK) systems. Looking at ways Indigenous Sovereignty and Indigenous Data Sovereignty can support the flourishing of future generations and to optimise for abundance rather than scarcity. |
Session 5 – The Politics of AI: Navigating Ethics, Inclusion and Job Disruption in the Creative IndustriesSpeakers: This session explored some of the complexities surrounding AI and its use in the creative industries, from artists’ labour rights and ownership protection to the risk of embedded biases in the development of AI tools. With the widespread use and normalisation of AI in society and, particularly, the screen and audio sectors, these issues raise concerns about the inclusivity of voices, diversity of knowledge, and future workforce development. |
2022 – Audio: Connectivity, Community and Audience
In our third edition of AFTRS’ Digital Futures Summit series, Audio: Community, Connectivity and Audience, we brought together the big brains in audio to talk about the intersection of sound, radio, and podcasting and the possibilities for connecting with audiences, old and new, in this world of digital disruption.
Visionaries and leaders from industry, education, and government sectors came together to discuss big questions facing Australia’s screen and broadcast industries in a global context.
2022 – The Business of Australia’s Digital Future
This summit focused on the future of business in the Australian screen and broadcast sector, zeroing in on business models and leadership to capitalise on the innovations and growth of the digital age.
2021 – Virtual Production
Held online, the first summit in AFTRS’ Digital Futures series looked at current and future practices and the opportunities that virtual production brings to the local industry. The summit explored how the industry can leverage digital technologies to “leapfrog” through change to accelerate growth opportunities.