Teaching & Learning

The Teaching & Learning team comprises teaching faculty and professional support staff who work together to deliver four course streams – online; short & industry courses; undergraduate (BA); and, postgraduate courses (Graduate Diploma and Masters). The division is responsible for the design, development, scheduling, delivery and continuous improvement of AFTRS curriculum to ensure that AFTRS is fulfilling its remit to provide industry with the highly skilled graduates it needs to thrive now and into the future.

AFTRS is one of only three fully self-accrediting Higher Education Providers. the Teaching & Learning division bridges its industry best practice curriculum with the highest level of academic quality assurance. Teaching staff drawn from industry and supported by ongoing professional development and a research program focussed on creativity and innovation, deliver courses that are future-focussed, industry current and, delivered according to AFTRS unique, practice-based pedagogy. Externally, the team works to ensure the ongoing strength of AFTRS’ reputation for excellence through partnered research projects, conferences, symposia and International film and broadcast school networks.

  • Link to Maia Horniak
    Maia Horniak

    Maia is an innovative film maker, senior lecturer and programme leader with over 20 years of experience in education, film and digital media, blending creative vision and production knowledge with strategic leadership.

    Maia has lived and worked in Sydney, Prague, Copenhagen, LA, London, and Barcelona, a graduate from : FAMU in Prague, The Royal Art Academy in Copenhagen, and an MA in Film Directing at AFTRS (2005). She has created award-winning Short films, Documentaries, TV, Commercials, Digital Content, and Music Videos, working across different sectors, with a 360-approach adept in multiple roles as Writer, Director, Producer, and Editor.

    Maia is a passionate lecturer with over 18 years of teaching experience in higher education, (COFA / UNSW, NIDA, AFTRS, Afilm Barcelona, Prague City University) and has mentored hundreds of BA and MA thesis productions, consistently upholding the highest academic standards.

    Having returned to Australia after 12 years of living in Europe, in her last position Maia was the Program Leader and Director of Curriculum Development at Prague City University (in partnership with Teesside University UK); driving the design, development, and validation of the BA (Hons) of Creative Media Production, leading the programme, championing innovation, quality assurance, industry relevant education, and fostering continuous improvement in teaching strategies.

    Maia Horniak

    Maia is an innovative film maker, senior lecturer and programme leader with over 20 years of experience in education, film and digital media, blending creative vision and production knowledge with strategic leadership.

    Maia has lived and worked in Sydney, Prague, Copenhagen, LA, London, and Barcelona, a graduate from : FAMU in Prague, The Royal Art Academy in Copenhagen, and an MA in Film Directing at AFTRS (2005). She has created award-winning Short films, Documentaries, TV, Commercials, Digital Content, and Music Videos, working across different sectors, with a 360-approach adept in multiple roles as Writer, Director, Producer, and Editor.

    Maia is a passionate lecturer with over 18 years of teaching experience in higher education, (COFA / UNSW, NIDA, AFTRS, Afilm Barcelona, Prague City University) and has mentored hundreds of BA and MA thesis productions, consistently upholding the highest academic standards.

    Having returned to Australia after 12 years of living in Europe, in her last position Maia was the Program Leader and Director of Curriculum Development at Prague City University (in partnership with Teesside University UK); driving the design, development, and validation of the BA (Hons) of Creative Media Production, leading the programme, championing innovation, quality assurance, industry relevant education, and fostering continuous improvement in teaching strategies.

    icon Job title:

    Director, Teaching & Learning

    icon Division:

    Teaching & Learning

  • Link to Jane Newton
    Jane Newton

    Jane is the Head of Curriculum at AFTRS, where she oversees the continuous improvement of curriculum and works with all course teams to develop and enhance their programs. She also facilitates a program of professional development and support for teachers across all of the AFTRS course offerings. Jane holds a Bachelor of Arts/Bachelor of Education, majoring in performance studies, and a Master of Education (Learning and Leadership).

    A qualified high school teacher, Jane has also worked extensively in state government, not-for-profit and arts sectors as an educator and VET specialist, with curriculum design and compliance being her key areas of experience and interest. Jane previously worked for Create NSW as Sector Investment Manager (Arts) and for NIDA as the Manager of Vocational Studies.

    Jane Newton

    Jane is the Head of Curriculum at AFTRS, where she oversees the continuous improvement of curriculum and works with all course teams to develop and enhance their programs. She also facilitates a program of professional development and support for teachers across all of the AFTRS course offerings. Jane holds a Bachelor of Arts/Bachelor of Education, majoring in performance studies, and a Master of Education (Learning and Leadership).

    A qualified high school teacher, Jane has also worked extensively in state government, not-for-profit and arts sectors as an educator and VET specialist, with curriculum design and compliance being her key areas of experience and interest. Jane previously worked for Create NSW as Sector Investment Manager (Arts) and for NIDA as the Manager of Vocational Studies.

    icon Job title:

    Head of Curriculum

    icon Division:

    Teaching & Learning

  • Link to Dr. Marty Murphy
    Dr. Marty Murphy

    Dr. Marty Murphy is Bachelor of Arts Screen: Production Program Convenor at AFTRS with over ten years of teaching at the school. An alumnus of the school’s directing course, Marty has a background as a film and television director and has written for radio drama and theatre.

    He has had a long career performing live comedy and was a regular guest speaker for the AGNSW Art After Hours public talks program. He is a comedy narrative specialist with a PhD from the Writing and Society Research Centre at Western Sydney University. He also a non-executive director of the Veterans Film Festival.

    Dr. Marty Murphy

    Dr. Marty Murphy is Bachelor of Arts Screen: Production Program Convenor at AFTRS with over ten years of teaching at the school. An alumnus of the school’s directing course, Marty has a background as a film and television director and has written for radio drama and theatre.

    He has had a long career performing live comedy and was a regular guest speaker for the AGNSW Art After Hours public talks program. He is a comedy narrative specialist with a PhD from the Writing and Society Research Centre at Western Sydney University. He also a non-executive director of the Veterans Film Festival.

    icon Job title:

    Program Convenor, BA

    icon Division:

    Teaching & Learning

  • Link to Maija Howe
    Maija Howe

    Maija’s research explores intersections between screen forms, cultures, technologies and industrial conditions, focusing particularly on amateur, experimental, feminist and queer screen practices. Maija has worked on large scale screen commissions including Soda_Jerk’s Terror Nullius (2018) and Sam Smith’s Cameraman (2011), and her writing has appeared in publications such as The Moving Image, Senses of Cinema, NiTRO, and Amateur Filmmaking: The Home Movie, The Archive, the Web.

    Maija’s passion for screen innovation is driving her current interest in AI and its implications for the screen and sound industries.

    Maija Howe

    Maija’s research explores intersections between screen forms, cultures, technologies and industrial conditions, focusing particularly on amateur, experimental, feminist and queer screen practices. Maija has worked on large scale screen commissions including Soda_Jerk’s Terror Nullius (2018) and Sam Smith’s Cameraman (2011), and her writing has appeared in publications such as The Moving Image, Senses of Cinema, NiTRO, and Amateur Filmmaking: The Home Movie, The Archive, the Web.

    Maija’s passion for screen innovation is driving her current interest in AI and its implications for the screen and sound industries.

    icon Job title:

    Program Convenor, MA

    icon Division:

    Teaching & Learning

  • Link to Natalie Pozdeev
    Natalie Pozdeev

    Natalie Pozdeev is a media education specialist, with expertise in practice-based radio, journalism and digital content training. As Program Convenor of the Graduate Diploma in Radio and Podcasting, she leads the School in delivering high quality, student centred and future focused education for the radio and podcasting industries.

    Natalie joined AFTRS from her role of Head Teacher of Media, Radio and Journalism at TAFE NSW, a role she held for over a decade. This refined her educational leadership skills in delivering a range of highly practical media education programs, embedding innovative teaching, digital literacy, multi-platform and mobile media practice. Her industry practice has included a number of leadership and management roles, including Non-Executive Director and Chair of the Audit and Risk Committee, of the Community Broadcasting Association of Australia (CBAA), the national peak body for community media. Natalie was also previously the Head of Radio at the AFTRS, and has had a long affiliation with community radio station 2RRR, most recently as Chair of the Board.

    Natalie has a track record of holding multiple leadership roles simultaneously, and is currently also a Board member of the Community Media Training Organisation and a Non-Executive Director of the Financial Rights Legal Centre.

    Natalie has a Masters Education (Leadership), having written her thesis on fostering creativity in radio production; and a Bachelor Design (Visual Communications) Hons, with a thesis on visual representation of sound. She also holds qualifications in education, events management, and sustainability.

    Natalie Pozdeev

    Natalie Pozdeev is a media education specialist, with expertise in practice-based radio, journalism and digital content training. As Program Convenor of the Graduate Diploma in Radio and Podcasting, she leads the School in delivering high quality, student centred and future focused education for the radio and podcasting industries.

    Natalie joined AFTRS from her role of Head Teacher of Media, Radio and Journalism at TAFE NSW, a role she held for over a decade. This refined her educational leadership skills in delivering a range of highly practical media education programs, embedding innovative teaching, digital literacy, multi-platform and mobile media practice. Her industry practice has included a number of leadership and management roles, including Non-Executive Director and Chair of the Audit and Risk Committee, of the Community Broadcasting Association of Australia (CBAA), the national peak body for community media. Natalie was also previously the Head of Radio at the AFTRS, and has had a long affiliation with community radio station 2RRR, most recently as Chair of the Board.

    Natalie has a track record of holding multiple leadership roles simultaneously, and is currently also a Board member of the Community Media Training Organisation and a Non-Executive Director of the Financial Rights Legal Centre.

    Natalie has a Masters Education (Leadership), having written her thesis on fostering creativity in radio production; and a Bachelor Design (Visual Communications) Hons, with a thesis on visual representation of sound. She also holds qualifications in education, events management, and sustainability.

    icon Job title:

    Program Convenor, Graduate Diploma in Radio and Podcasting

    icon Division:

    Teaching & Learning

  • Link to Peter Herbert
    Peter Herbert

    A writer, producer and executive producer for a many national and international companies, among them Crawford Productions, PBL Productions, Taffner Ramsay, Beyond International and Granada, Peter began his career writing and producing for television classics such as Cop Shop, The Sullivans, The Flying Doctors, The Comedy Company and Acropolis Now. He produced the inaugural Comedy Festival Charity Gala in 1992 and created The World Comedy Tour in 2000. He also produced The 34th Annual TV Week Logies, and he has created or co-created a number of series, among them Skirts, The Comedy Sale! The Agency, Parties, FAQ, and The Big Wig for Sky1 in the UK. Working with Caroline Aherne of The Royle Family, he co-created, co-wrote and produced the BBC2 comedy series, Dossa and Joe. Other credits include the Network Ten production, Unreal TV, a sitcom Sit Down, Shut Up, as well as the tonight show, The Big Schmooze and a number of other productions at thecomedychannel for Foxtel, and script editing on the Lindy Chamberlain mini-series, Through My Eyes and the feature Perfect Victim.

    Peter has taught at a number of universities in screen business, creative industries and producing. He is currently Head of Screen Business and Producing at the Australian Film Television and Radio School (AFTRS).

    Learn about the Master of Arts Screen: Business here.

    https://www.youtube.com/watch?v=kwlVl-n30zY

    Peter Herbert

    A writer, producer and executive producer for a many national and international companies, among them Crawford Productions, PBL Productions, Taffner Ramsay, Beyond International and Granada, Peter began his career writing and producing for television classics such as Cop Shop, The Sullivans, The Flying Doctors, The Comedy Company and Acropolis Now. He produced the inaugural Comedy Festival Charity Gala in 1992 and created The World Comedy Tour in 2000. He also produced The 34th Annual TV Week Logies, and he has created or co-created a number of series, among them Skirts, The Comedy Sale! The Agency, Parties, FAQ, and The Big Wig for Sky1 in the UK. Working with Caroline Aherne of The Royle Family, he co-created, co-wrote and produced the BBC2 comedy series, Dossa and Joe. Other credits include the Network Ten production, Unreal TV, a sitcom Sit Down, Shut Up, as well as the tonight show, The Big Schmooze and a number of other productions at thecomedychannel for Foxtel, and script editing on the Lindy Chamberlain mini-series, Through My Eyes and the feature Perfect Victim.

    Peter has taught at a number of universities in screen business, creative industries and producing. He is currently Head of Screen Business and Producing at the Australian Film Television and Radio School (AFTRS).

    Learn about the Master of Arts Screen: Business here.

    https://www.youtube.com/watch?v=kwlVl-n30zY

    icon Job title:

    Program Convenor, MASB

    icon Division:

    Teaching & Learning

  • Link to Fiona Whalley
    Fiona Whalley

    As the AFTRS’ Head of Program Resourcing, Fiona is able to share her passion for collaborating with others to problem solve, improve processes and develop new procedures with tangible results. Fiona has a wealth of relevant experience gained during her time at AFTRS, as well as in the education sector and film and television industry. She has a genuine passion for the arts as a musician and performer, as well as a keen interest in emerging technology in the creative industries.

    Fiona Whalley

    As the AFTRS’ Head of Program Resourcing, Fiona is able to share her passion for collaborating with others to problem solve, improve processes and develop new procedures with tangible results. Fiona has a wealth of relevant experience gained during her time at AFTRS, as well as in the education sector and film and television industry. She has a genuine passion for the arts as a musician and performer, as well as a keen interest in emerging technology in the creative industries.

    icon Job title:

    Head of Program Resourcing

    icon Division:

    Teaching & Learning

  • Link to Julia Avenell
    Julia Avenell

    Julia has worked at AFTRS for over 20 years, across a range of disciplines, including Production, Production Design and Screen Content. For the last six years, she has worked as a Learning Designer in the Education Unit, specialising in Education Technology and professional development for staff.
    Julia began her career working in the Early Childhood sector, including roles in quality assurance and communications at the National Childcare Accreditation Council (now known as the Australian Children’s Education and Care Quality Authority). She has also worked in Graduate Recruitment, for Shell International in London.

    Her passion for the arts led her to AFTRS where she has served as both a member of the Staff Consultative Committee and a CPSU Union Representative. Julia is also responsible for implementing and managing the AFTRS Dogs at Work program, a successful initiative designed to improve staff well-being, reduce stress, and promote better communication. Julia is also a past Vice President of Women in Film and TV (WIFT) where she co-produced 3 World of Women (WOW) film festivals.
    Julia holds a Bachelor of Creative Arts from Macquarie University, a Graduate Certificate in Screen Studies from AFTRS, and a Graduate Certificate in eLearning from the University of New England. She is also Moodle Certified, the learning management system used at AFTRS to support student learning and collaboration.

    Julia Avenell

    Julia has worked at AFTRS for over 20 years, across a range of disciplines, including Production, Production Design and Screen Content. For the last six years, she has worked as a Learning Designer in the Education Unit, specialising in Education Technology and professional development for staff.
    Julia began her career working in the Early Childhood sector, including roles in quality assurance and communications at the National Childcare Accreditation Council (now known as the Australian Children’s Education and Care Quality Authority). She has also worked in Graduate Recruitment, for Shell International in London.

    Her passion for the arts led her to AFTRS where she has served as both a member of the Staff Consultative Committee and a CPSU Union Representative. Julia is also responsible for implementing and managing the AFTRS Dogs at Work program, a successful initiative designed to improve staff well-being, reduce stress, and promote better communication. Julia is also a past Vice President of Women in Film and TV (WIFT) where she co-produced 3 World of Women (WOW) film festivals.
    Julia holds a Bachelor of Creative Arts from Macquarie University, a Graduate Certificate in Screen Studies from AFTRS, and a Graduate Certificate in eLearning from the University of New England. She is also Moodle Certified, the learning management system used at AFTRS to support student learning and collaboration.

    icon Job title:

    Learning Designer, Curriculum and Registrar; Staff Member of Council

    icon Division:

    Teaching & Learning

  • Link to Rebecca Ritchie
    Rebecca Ritchie

    Rebecca Ritchie is a Learning Designer at the Australian Film Television and Radio School.

    Rebecca Ritchie

    Rebecca Ritchie is a Learning Designer at the Australian Film Television and Radio School.

    icon Job title:

    Learning Designer

    icon Division:

    Teaching & Learning

  • Link to Dr. Pieter Aquilia
    Dr. Pieter Aquilia

    Dr. Pieter Aquilia is a scriptwriter, script editor and director, who has combined her creative practice with a career in academia. Following a 7-year tenure as Head of Screenwriting at the Australian Film, Television and Radio School, Pia now leads the core Creative Project Development subjects within the Master of Screen Business (MASB). She is adjunct Associate Professor at the Swinburne Film School, and formerly an Associate Dean and Arts Professor at NYU Tisch School of the Arts.

    Pieter completed her Doctor of Creative Arts at University of Technology Sydney in 2000, her creative artefact was shortlisted for the Vogel Award. She continued to be a writer for international television, winning an Asian Television nomination for Best Drama, including the acclaimed Heartbreak High and Water Rats. Her industry research publications cover International Television Drama, the Globalization of Screen Education, Ethnic and Gender Representation on Screen, and the Media in Asia.

    Dr. Pieter Aquilia

    Dr. Pieter Aquilia is a scriptwriter, script editor and director, who has combined her creative practice with a career in academia. Following a 7-year tenure as Head of Screenwriting at the Australian Film, Television and Radio School, Pia now leads the core Creative Project Development subjects within the Master of Screen Business (MASB). She is adjunct Associate Professor at the Swinburne Film School, and formerly an Associate Dean and Arts Professor at NYU Tisch School of the Arts.

    Pieter completed her Doctor of Creative Arts at University of Technology Sydney in 2000, her creative artefact was shortlisted for the Vogel Award. She continued to be a writer for international television, winning an Asian Television nomination for Best Drama, including the acclaimed Heartbreak High and Water Rats. Her industry research publications cover International Television Drama, the Globalization of Screen Education, Ethnic and Gender Representation on Screen, and the Media in Asia.

    icon Job title:

    Discipline Lead Creative Projects

    icon Division:

    Teaching & Learning

  • Link to Krista Jordan
    Krista Jordan

    Krista has over 25 years of professional experience in the screen industry, spanning creative and commercial filmmaking. Her professional film credits include The Matrix, The Matrix Reloaded, Rabbit- Proof Fence, Moulin Rouge, and the Academy Award-winning Happy Feet. In addition to her film credits, she has extensive experience in online and offline visual effects commercial production and broadcast design for international and local clients and campaigns. Alongside her ‘on-box’ creative contributions, she has held business leadership positions in human resources, people and culture, recruitment and learning and development.

    Whilst at Animal Logic Krista represented the company as it worked with the University to establish the UTS Animal Logic Academy Master of Animation and Visualisation degree in 2017. In 2019 she was appointed to the role of Head of Animation at AFTRS, bringing her energy and passion to the school and a focus on animation, visual and virtual effects in contemporary screen craft. In her current work she focuses specifically on industry engagement and consultation for contemporary screen practice, animation, hybrid and 'Virtual' production and continues her teaching at AFTRS as the Discipline Lead, Innovation and Technology for the Master of Arts Screen: Business.

    Krista Jordan

    Krista has over 25 years of professional experience in the screen industry, spanning creative and commercial filmmaking. Her professional film credits include The Matrix, The Matrix Reloaded, Rabbit- Proof Fence, Moulin Rouge, and the Academy Award-winning Happy Feet. In addition to her film credits, she has extensive experience in online and offline visual effects commercial production and broadcast design for international and local clients and campaigns. Alongside her ‘on-box’ creative contributions, she has held business leadership positions in human resources, people and culture, recruitment and learning and development.

    Whilst at Animal Logic Krista represented the company as it worked with the University to establish the UTS Animal Logic Academy Master of Animation and Visualisation degree in 2017. In 2019 she was appointed to the role of Head of Animation at AFTRS, bringing her energy and passion to the school and a focus on animation, visual and virtual effects in contemporary screen craft. In her current work she focuses specifically on industry engagement and consultation for contemporary screen practice, animation, hybrid and 'Virtual' production and continues her teaching at AFTRS as the Discipline Lead, Innovation and Technology for the Master of Arts Screen: Business.

    icon Job title:

    Discipline Lead MASB (Innovation and Technology); Staff Member of Council

    icon Division:

    Teaching & Learning, Council

  • Link to Andrea Ho
    Andrea Ho

    Andrea Ho is a media professional and an experienced leader, broadcaster and content maker.

    Andrea started her broadcasting career in community broadcasting in Melbourne and NSW, in content production, on-air, and leadership roles at 3RRR and TUNE FM as well as at SRA (later part of SYN FM) and Channel 31.

    She moved into journalism and daily on-air presenting at the ABC in regional NSW, and went on to lead ABC radio/online teams in Hobart and Canberra, and then executive leadership as Head of Planning, ABC Regional and Local.

    Andrea designed and introduced a system to track diversity in media content at the ABC, after completing a Churchill Fellowship investigating practical strategies for increasing cultural diversity in broadcast media. She oversaw the ABC’s emergency broadcasting during the unprecedented 2019-2020 bushfires, and led the COVID-19 operational response for the ABC Regional and Local network in 2020.

    Andrea was a founding Co-Director of the Economic Media Centre which trains and supports community spokespeople on economic and social issues in news media.

    She was most recently the Director of Education for the Judith Neilson Institute for Journalism and Ideas, where her remit extended from local to national and international initiatives and partnerships.

    Andrea has been a Walkley Awards category judge, and is a member of the CBF Grant Assessor Team. She continues to have a deep interest in media that serves local communities.

    Andrea Ho

    Andrea Ho is a media professional and an experienced leader, broadcaster and content maker.

    Andrea started her broadcasting career in community broadcasting in Melbourne and NSW, in content production, on-air, and leadership roles at 3RRR and TUNE FM as well as at SRA (later part of SYN FM) and Channel 31.

    She moved into journalism and daily on-air presenting at the ABC in regional NSW, and went on to lead ABC radio/online teams in Hobart and Canberra, and then executive leadership as Head of Planning, ABC Regional and Local.

    Andrea designed and introduced a system to track diversity in media content at the ABC, after completing a Churchill Fellowship investigating practical strategies for increasing cultural diversity in broadcast media. She oversaw the ABC’s emergency broadcasting during the unprecedented 2019-2020 bushfires, and led the COVID-19 operational response for the ABC Regional and Local network in 2020.

    Andrea was a founding Co-Director of the Economic Media Centre which trains and supports community spokespeople on economic and social issues in news media.

    She was most recently the Director of Education for the Judith Neilson Institute for Journalism and Ideas, where her remit extended from local to national and international initiatives and partnerships.

    Andrea has been a Walkley Awards category judge, and is a member of the CBF Grant Assessor Team. She continues to have a deep interest in media that serves local communities.

    icon Job title:

    Discipline Lead, Radio and Podcasting

    icon Division:

    Teaching & Learning

  • Link to Kate Stone
    Kate Stone

    Kate is a writer, developer and producer who worked as Head of Development at The Steve Jaggi Company from the start of 2016 where she oversaw the development of a slate of feature films and television series, pitching at international markets and seeing four features into production and three selected for the Sydney Film Festival. Since the start of 2017 Kate has also been a part-time lecturer in screenwriting and producing at the Australian Film Television and Radio School.

    Prior to that, Kate was at Screen NSW from mid 2012 where she was Development and Production Executive on numerous features and television series including Ali’s Wedding, The Daughter, Holding the Man, Love Child and Doctor Doctor. Kate was also convener of Screen NSW’s prestigious Aurora Script Development Workshop.

    Kate was formerly head of digital at the National Film & Sound Archive where she was responsible for all media production and digital projects. Prior to that, Kate held roles at Film Australia, Network Ten, and the ABC. She has written, produced, and directed short drama, multiplatform programs, documentaries, children’s television, and has script edited feature films, animation and children’s television. Under her management, the NFSA digital platforms and projects won numerous awards, and she has been invited to speak at a number of Australian and international conferences on the digital space.

    Kate Stone

    Kate is a writer, developer and producer who worked as Head of Development at The Steve Jaggi Company from the start of 2016 where she oversaw the development of a slate of feature films and television series, pitching at international markets and seeing four features into production and three selected for the Sydney Film Festival. Since the start of 2017 Kate has also been a part-time lecturer in screenwriting and producing at the Australian Film Television and Radio School.

    Prior to that, Kate was at Screen NSW from mid 2012 where she was Development and Production Executive on numerous features and television series including Ali’s Wedding, The Daughter, Holding the Man, Love Child and Doctor Doctor. Kate was also convener of Screen NSW’s prestigious Aurora Script Development Workshop.

    Kate was formerly head of digital at the National Film & Sound Archive where she was responsible for all media production and digital projects. Prior to that, Kate held roles at Film Australia, Network Ten, and the ABC. She has written, produced, and directed short drama, multiplatform programs, documentaries, children’s television, and has script edited feature films, animation and children’s television. Under her management, the NFSA digital platforms and projects won numerous awards, and she has been invited to speak at a number of Australian and international conferences on the digital space.

    icon Job title:

    Discipline Lead, Screenwriting

    icon Division:

    Teaching & Learning

  • Link to Dr. Pearl Tan
    Dr. Pearl Tan

    Pearl Tan is the founder and director of Pearly Productions, a creative boutique creating content with a focus on diverse stories. She is the Discipline Lead in Directing for the Masters of Arts Screen: Directing at AFTRS. Prior to this she was the Senior Lecturer in Directing at AFTRS, leading the Directing stream of the Bachelor of Arts Screen: Production.

    In 2020, Pearl was listed in the 40 Under 40 Most Influential Asian-Australian Awards and was named the most influential in the Arts and Culture category. In 2017, Pearl was invited to deliver a TEDx talk entitled Reimagining Diversity. In 2016, Pearl was named a Woman of Influence by the Australian Financial Review and Westpac. She has been on the AFTRS Council and the Screen Australia Gender Matters Taskforce. She was Co-Founder and Co-Chair of the Equity Diversity Committee within the Media Entertainment and Arts Alliance (MEAA) and held positions on the MEAA Board and the National Performers Committee (NPC) for Actors Equity. She was on the board of the Australian Directors Guild (ADG) as Vice President in New Media, after serving as the NSW Chapter Head.

    Pearl is a graduate of NIDA with a Bachelor of Dramatic Art (Acting). She also holds a Bachelor of Communications (Media Studies) from Edith Cowan University and a Master of Commerce (Strategy, Innovation, & Entrepreneurship), which she completed on a Business Leader Postgraduate Scholarship from the University of Sydney. Pearl has completed her PhD in Creative Practice at the University of New South Wales, where her research focus was on the experience of diverse creatives in the screen industry. As part of her PhD, she has released a fictional podcast entitled Diversity Work which has won multiple awards at the Webby Awards, New York Festivals Radio Awards and more.

    Dr. Pearl Tan

    Pearl Tan is the founder and director of Pearly Productions, a creative boutique creating content with a focus on diverse stories. She is the Discipline Lead in Directing for the Masters of Arts Screen: Directing at AFTRS. Prior to this she was the Senior Lecturer in Directing at AFTRS, leading the Directing stream of the Bachelor of Arts Screen: Production.

    In 2020, Pearl was listed in the 40 Under 40 Most Influential Asian-Australian Awards and was named the most influential in the Arts and Culture category. In 2017, Pearl was invited to deliver a TEDx talk entitled Reimagining Diversity. In 2016, Pearl was named a Woman of Influence by the Australian Financial Review and Westpac. She has been on the AFTRS Council and the Screen Australia Gender Matters Taskforce. She was Co-Founder and Co-Chair of the Equity Diversity Committee within the Media Entertainment and Arts Alliance (MEAA) and held positions on the MEAA Board and the National Performers Committee (NPC) for Actors Equity. She was on the board of the Australian Directors Guild (ADG) as Vice President in New Media, after serving as the NSW Chapter Head.

    Pearl is a graduate of NIDA with a Bachelor of Dramatic Art (Acting). She also holds a Bachelor of Communications (Media Studies) from Edith Cowan University and a Master of Commerce (Strategy, Innovation, & Entrepreneurship), which she completed on a Business Leader Postgraduate Scholarship from the University of Sydney. Pearl has completed her PhD in Creative Practice at the University of New South Wales, where her research focus was on the experience of diverse creatives in the screen industry. As part of her PhD, she has released a fictional podcast entitled Diversity Work which has won multiple awards at the Webby Awards, New York Festivals Radio Awards and more.

    icon Job title:

    Discipline Lead, Directing

    icon Division:

    Teaching & Learning

  • Link to Richard Welch
    Richard Welch

    Richard Welch is an experienced documentary curator, lecturer and filmmaker, with over 20 years’ experience in the screen media industry.

    As Festival Co-Director and a founding member of the Antenna Documentary Film Festival, Richard presided over establishing Antenna as one of Australia’s premier film festivals dedicated to documentary cinema since its inaugural year in 2011. The festival will celebrate its 10th anniversary in 2021.

    Throughout his tenure as Festival Co-Director, Richard drove innovative industry programs, including the Antenna DocTalk and Horizons, forging connections with some of the world’s leading festivals, broadcasters and OnDemand platforms including Sundance, Berlinale, Hot Docs and BBC Storyville. Locally, he has extensive and long-standing relationships with broadcasters, funders, distributors, and documentary filmmakers.

    With over ten years teaching experience, across media and documentary, Richard has designed and delivered outstanding short, medium and full-time courses for an array of institutions both in Australia and the UK. Prior to becoming the Discipline Lead, Documentary, he successfully ran the Graduate Certificate in Documentary at AFTRS for three years. Richard has also consulted and mentored on numerous documentaries for television and festivals.

    Richard has a Bachelors degree in Film; a Masters by Practice in Documentary; and a Masters by Research. He is currently undertaking a Higher Research degree candidacy at Macquarie University, in the Doctor of Philosophy program, exploring the interconnectivity between national identity and sport, which will include a feature archival-essay documentary as part of his thesis.

    An experienced documentary director and producer, Richard’s recent credits include The National Game and Tea for Two. Before moving to Australia, Richard worked on numerous documentaries and produced over 50 films for the Visionaries initiative, in collaboration with the British Film Institute. Richard currently has several projects in development including a series and long-form feature documentary.

    Richard Welch

    Richard Welch is an experienced documentary curator, lecturer and filmmaker, with over 20 years’ experience in the screen media industry.

    As Festival Co-Director and a founding member of the Antenna Documentary Film Festival, Richard presided over establishing Antenna as one of Australia’s premier film festivals dedicated to documentary cinema since its inaugural year in 2011. The festival will celebrate its 10th anniversary in 2021.

    Throughout his tenure as Festival Co-Director, Richard drove innovative industry programs, including the Antenna DocTalk and Horizons, forging connections with some of the world’s leading festivals, broadcasters and OnDemand platforms including Sundance, Berlinale, Hot Docs and BBC Storyville. Locally, he has extensive and long-standing relationships with broadcasters, funders, distributors, and documentary filmmakers.

    With over ten years teaching experience, across media and documentary, Richard has designed and delivered outstanding short, medium and full-time courses for an array of institutions both in Australia and the UK. Prior to becoming the Discipline Lead, Documentary, he successfully ran the Graduate Certificate in Documentary at AFTRS for three years. Richard has also consulted and mentored on numerous documentaries for television and festivals.

    Richard has a Bachelors degree in Film; a Masters by Practice in Documentary; and a Masters by Research. He is currently undertaking a Higher Research degree candidacy at Macquarie University, in the Doctor of Philosophy program, exploring the interconnectivity between national identity and sport, which will include a feature archival-essay documentary as part of his thesis.

    An experienced documentary director and producer, Richard’s recent credits include The National Game and Tea for Two. Before moving to Australia, Richard worked on numerous documentaries and produced over 50 films for the Visionaries initiative, in collaboration with the British Film Institute. Richard currently has several projects in development including a series and long-form feature documentary.

    icon Job title:

    Discipline Lead, Documentary

    icon Division:

    Teaching & Learning

  • Link to Simon Smith
    Simon Smith

    Simon Smith ACS has been appointed to the MAS teaching team as Discipline Lead Cinematography.

    Simon Smith

    Simon Smith ACS has been appointed to the MAS teaching team as Discipline Lead Cinematography.

    icon Job title:

    Discipline Lead, Cinematography

    icon Division:

    Teaching & Learning

  • Link to Cameron Patrick
    Cameron Patrick

    Cameron Patrick is an Annie Award nominee and AGSC Screen Music Award winner whose screen experience spans 30 years. He is an accomplished composer and orchestrator of music for film and television, with credits that include Spider-man: Homecoming (2017), Zootopia (2016), Jurassic World (2015) and Inside Out (2015) amongst many, many others. Cameron is also an accomplished violinist and violist, with an extensive list of credits in the film, television, theatre and recording industries.

    Cameron is a graduate of the University of Southern California’s film scoring program and was an instructor in the UCLA Extension’s Film Scoring program from 2015 to 2017. He has been involved with the Queensland Music Festival for the past six years in partnership with the Griffith Film School and conducted and presented education concerts with the Queensland Symphony Orchestra in 2019. Cameron is a professional member of the Australian Guild of Screen Composers, the Society of Composers and Lyricists (US), the American Federation of Musicians (US) and Broadcast Music Inc. (US).

    Learn about the Master of Arts Screen: Music here.

    https://www.youtube.com/watch?v=2R3RohKQceo

    Cameron Patrick

    Cameron Patrick is an Annie Award nominee and AGSC Screen Music Award winner whose screen experience spans 30 years. He is an accomplished composer and orchestrator of music for film and television, with credits that include Spider-man: Homecoming (2017), Zootopia (2016), Jurassic World (2015) and Inside Out (2015) amongst many, many others. Cameron is also an accomplished violinist and violist, with an extensive list of credits in the film, television, theatre and recording industries.

    Cameron is a graduate of the University of Southern California’s film scoring program and was an instructor in the UCLA Extension’s Film Scoring program from 2015 to 2017. He has been involved with the Queensland Music Festival for the past six years in partnership with the Griffith Film School and conducted and presented education concerts with the Queensland Symphony Orchestra in 2019. Cameron is a professional member of the Australian Guild of Screen Composers, the Society of Composers and Lyricists (US), the American Federation of Musicians (US) and Broadcast Music Inc. (US).

    Learn about the Master of Arts Screen: Music here.

    https://www.youtube.com/watch?v=2R3RohKQceo

    icon Job title:

    Discipline Lead, Music

    icon Division:

    Teaching & Learning

  • Link to Justine Angus
    Justine Angus

    Justine Angus is a highly experienced and accomplished sound professional. Having trained as a music engineer, her passion for all things sound led her to the TV and film industry, where she has contributed to over 100 credits in feature films, documentaries and TV series.

    Her various roles as a sound recordist, music editor, foley & FX editor, and latterly, as a dialogue & ADR editor & supervisor, have garnered her many accolades, with multiple award nominations and wins for her work on projects such as Hacksaw Ridge, The Rover, Batman Begins, Backtrack and Deadline Gallipoli. Most recently she has worked on the celebrated horror film Bring Her Back, and the much lauded Better Man.

    In addition to her creative endeavours, she has been a guest lecturer at AFTRS and Macquarie University, and actively mentors young and emerging filmmakers. She regularly participates in industry panels and award adjudication. She is an accredited member of the ASSG (Australian Screen Sound Guild) and the MPSE (Motion Picture Sound Editors), and has previously been an executive committee member of the ASSG.

    Justine Angus

    Justine Angus is a highly experienced and accomplished sound professional. Having trained as a music engineer, her passion for all things sound led her to the TV and film industry, where she has contributed to over 100 credits in feature films, documentaries and TV series.

    Her various roles as a sound recordist, music editor, foley & FX editor, and latterly, as a dialogue & ADR editor & supervisor, have garnered her many accolades, with multiple award nominations and wins for her work on projects such as Hacksaw Ridge, The Rover, Batman Begins, Backtrack and Deadline Gallipoli. Most recently she has worked on the celebrated horror film Bring Her Back, and the much lauded Better Man.

    In addition to her creative endeavours, she has been a guest lecturer at AFTRS and Macquarie University, and actively mentors young and emerging filmmakers. She regularly participates in industry panels and award adjudication. She is an accredited member of the ASSG (Australian Screen Sound Guild) and the MPSE (Motion Picture Sound Editors), and has previously been an executive committee member of the ASSG.

    icon Job title:

    MA Discipline Lead, Sound

    icon Division:

    Teaching & Learning

  • Link to Dr. Tara Lomax
    Dr. Tara Lomax

    Dr. Tara Lomax is a screen media educator and published researcher with expertise in contemporary screen industries, particularly entertainment franchising, multiplatform and transmedia storytelling, genre, storyworld development, and visual effects. She is the author of the forthcoming book Hollywood Franchising: Blockbuster Entertainment and Mode of Production in the Early Twenty-First Century (University Press of Mississippi), which examines the creative and industrial workings of Hollywood franchising as a significant mode of production in contemporary entertainment.

    Her research can also be found in the Journal of Cinema and Media Studies, Senses of Cinema and Quarterly Review of Film and Video, and book collections including the forthcoming Stars and Franchises (Edinburgh UP, 2027), The Screens of Virtual Production (Routledge, 2025), The Palgrave Handbook of Screen Production (2019), The Superhero Symbol (Rutgers UP, 2019), and Star Wars and the History of Transmedia Storytelling (Amsterdam UP, 2017).

    Tara is a senior editor of Henry Jenkins’s Pop Junctions, Treasurer of the Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ), and formerly Teaching Staff Member on the AFTRS Academic Board.

    Dr. Tara Lomax

    Dr. Tara Lomax is a screen media educator and published researcher with expertise in contemporary screen industries, particularly entertainment franchising, multiplatform and transmedia storytelling, genre, storyworld development, and visual effects. She is the author of the forthcoming book Hollywood Franchising: Blockbuster Entertainment and Mode of Production in the Early Twenty-First Century (University Press of Mississippi), which examines the creative and industrial workings of Hollywood franchising as a significant mode of production in contemporary entertainment.

    Her research can also be found in the Journal of Cinema and Media Studies, Senses of Cinema and Quarterly Review of Film and Video, and book collections including the forthcoming Stars and Franchises (Edinburgh UP, 2027), The Screens of Virtual Production (Routledge, 2025), The Palgrave Handbook of Screen Production (2019), The Superhero Symbol (Rutgers UP, 2019), and Star Wars and the History of Transmedia Storytelling (Amsterdam UP, 2017).

    Tara is a senior editor of Henry Jenkins’s Pop Junctions, Treasurer of the Screen Studies Association of Australia and Aotearoa New Zealand (SSAAANZ), and formerly Teaching Staff Member on the AFTRS Academic Board.

    icon Job title:

    Discipline Lead, Screen Studies

    icon Division:

    Teaching & Learning

  • Link to Dr. Duncan McLean
    Dr. Duncan McLean

    Dr Duncan McLean is a senior lecturer in Screen Studies. A passionate teacher, Duncan has over a decade of experience teaching film history and theory to undergraduate students and has been teaching at the Australian Film Television and Radio School since 2015.

    Duncan received a PhD in Film Studies at Macquarie University in 2013 for a thesis entitled ‘The Rise of the Auteurist Filmmaker’ which explored the impact of the simultaneous emergence of auteur film criticism and expansion of tertiary film education in the USA in the 1960s on the directors of Hollywood’s Film School Generation. More recently he has written on genre and genre blending particularly in relation to the superhero film.

    Dr. Duncan McLean

    Dr Duncan McLean is a senior lecturer in Screen Studies. A passionate teacher, Duncan has over a decade of experience teaching film history and theory to undergraduate students and has been teaching at the Australian Film Television and Radio School since 2015.

    Duncan received a PhD in Film Studies at Macquarie University in 2013 for a thesis entitled ‘The Rise of the Auteurist Filmmaker’ which explored the impact of the simultaneous emergence of auteur film criticism and expansion of tertiary film education in the USA in the 1960s on the directors of Hollywood’s Film School Generation. More recently he has written on genre and genre blending particularly in relation to the superhero film.

    icon Job title:

    Discipline Lead, Screen Studies

    icon Division:

    Teaching & Learning

  • Link to Simeon Bryan
    Simeon Bryan

    Simeon Bryan is an accomplished cinematographer who has worked with great success across the full spectrum of film and broadcast industries. His training began in London in 1984 working as a runner and trainee loader for renowned new romantic TVC and music video director Howard Guard. Since then he has worked on over 500 cinema and television commercials, countless music videos, 18 feature drama and documentary films including Beneath Clouds (2002) and Superman Returns (2006) as well as television series, art installations and government and corporate communication.

    He founded documentary production company Indigo Films in the year 2000 and produced and shot a slate of successful and award-winning films including Jimmy Little’s Gentle Journey (2003) ABC TV, Our Community (2005) Museum of Australia and Where the Streets have No Name (2010) Phoenix International /Lakeside / Toronto Commffest Film Festivals.

    He became a go-to professional cinematographer and camera operator for non-fiction series including Open House (2016/17) and Kitchen Cabinet (2015) with Annabel Crabb, ABC, First Contact Series 2 (2016), Blackfella Films, SBS, Hatch, Match & Dispatch (2016) ABC, Blood & Thunder, The Sound of Alberts (2015), ABC and Norfolk Island: A Modern Mutiny (2016), SBS.

    Simeon has also shot heaps of comedy, having worked on a number of landmark series including Chandon Pictures (2009) ABC, At Home with Julia (2011) ABC, A Moody Christmas (2012) and The Moodys (2014) ABC, two series of Soul Mates (2014/16) ABC and Wham Bam Thank You Ma’am (2016) ABC.

    Simeon Bryan

    Simeon Bryan is an accomplished cinematographer who has worked with great success across the full spectrum of film and broadcast industries. His training began in London in 1984 working as a runner and trainee loader for renowned new romantic TVC and music video director Howard Guard. Since then he has worked on over 500 cinema and television commercials, countless music videos, 18 feature drama and documentary films including Beneath Clouds (2002) and Superman Returns (2006) as well as television series, art installations and government and corporate communication.

    He founded documentary production company Indigo Films in the year 2000 and produced and shot a slate of successful and award-winning films including Jimmy Little’s Gentle Journey (2003) ABC TV, Our Community (2005) Museum of Australia and Where the Streets have No Name (2010) Phoenix International /Lakeside / Toronto Commffest Film Festivals.

    He became a go-to professional cinematographer and camera operator for non-fiction series including Open House (2016/17) and Kitchen Cabinet (2015) with Annabel Crabb, ABC, First Contact Series 2 (2016), Blackfella Films, SBS, Hatch, Match & Dispatch (2016) ABC, Blood & Thunder, The Sound of Alberts (2015), ABC and Norfolk Island: A Modern Mutiny (2016), SBS.

    Simeon has also shot heaps of comedy, having worked on a number of landmark series including Chandon Pictures (2009) ABC, At Home with Julia (2011) ABC, A Moody Christmas (2012) and The Moodys (2014) ABC, two series of Soul Mates (2014/16) ABC and Wham Bam Thank You Ma’am (2016) ABC.

    icon Job title:

    Discipline Lead, Cinematography

    icon Division:

    Teaching & Learning

  • Link to Jenevieve Chang
    Jenevieve Chang

    Jenevieve Chang is a story developer, writer and performer who has worked in the UK, China and Australia. Most recently, Jenevieve was Development Executive at ABC Drama & Comedy . She has also been Development Executive at Screen Australia, Creative Executive at Arclight Films and Senior Course Manager at NIDA.
    In Australia, Jenevieve  has worked with Malthouse Theatre, Griffin Theatre and Monkey Baa Theatre in the development of new work and in the UK, she has worked with The National Theatre, The Young Vic and Yellow Earth Theatre. As a solo performer, she has toured widely, performing in venues in Germany, Austria, France, Canada, Luxembourg, Slovenia and China.
    Jenevieve’s multi-generational memoir, The Good Girl of Chinatown, was published by Penguin Random House in 2017.  She has also written various radio plays for ABC Radio National.
    Her award-winning play, Yong (Monkey Baa Theatre) was presented at the Sydney Opera House in 2023. Jenevieve also co-facilitates the Cultivate Program for emerging dramaturgs who identify as B(I)POC for the Australian Theatre for Young People.

    Jenevieve Chang

    Jenevieve Chang is a story developer, writer and performer who has worked in the UK, China and Australia. Most recently, Jenevieve was Development Executive at ABC Drama & Comedy . She has also been Development Executive at Screen Australia, Creative Executive at Arclight Films and Senior Course Manager at NIDA.
    In Australia, Jenevieve  has worked with Malthouse Theatre, Griffin Theatre and Monkey Baa Theatre in the development of new work and in the UK, she has worked with The National Theatre, The Young Vic and Yellow Earth Theatre. As a solo performer, she has toured widely, performing in venues in Germany, Austria, France, Canada, Luxembourg, Slovenia and China.
    Jenevieve’s multi-generational memoir, The Good Girl of Chinatown, was published by Penguin Random House in 2017.  She has also written various radio plays for ABC Radio National.
    Her award-winning play, Yong (Monkey Baa Theatre) was presented at the Sydney Opera House in 2023. Jenevieve also co-facilitates the Cultivate Program for emerging dramaturgs who identify as B(I)POC for the Australian Theatre for Young People.

    icon Job title:

    BA Discipline Lead, Screenwriting

    icon Division:

    Teaching & Learning

  • Link to Julie Greene
    Julie Greene

    Julie Greene is an Executive Producer and Creative Director and has been working in the television and film industry for over 25 years. After completing a Bachelor of Communications in 1993, Julie has worked consistently and successfully in the television and theatrical industry on several award-winning programs and shows. Julie is of diverse immigrant heritage and brings a unique cultural perspective to her work in the representation of women and diversity.

    Her career background combines experience in a number of television genres including lifestyle, reality, documentary and children. Julie has also produced and presented her own television series focusing on parenting on the Lifestyle Channel.

    After the birth of her son Jaya in 2000, Julie’s focus and passion was in children’s television and content. She worked as a Producer with Disney Channel Australia/New Zealand before being invited to produce and then executive produce the internationally acclaimed children’s series, Hi-5.

    Julie was with Hi-5 for 14 years and for 7 of those the Hi-5 television series was nominated for 7 Logie Awards over 7 consecutive years for Most Outstanding Children’s Program. This is a television industry award of the highest ranking. Hi-5 has been nominated twice for Emmy Awards, and it has had 3 successive Asia TV Awards nominations winning in 2015.

    Since then, Julie has completed a Post Graduate Certificate in Creative Business and shifted focus to produce feature films, executive producing australian indie feature Unravelling shot in Byron Bay in 2021. It premiered at Cinefest Oz in 2022 and is currently doing the film festival circuit.

    In 2021 Julie also took up a position at the prestigious Australian Film, Television & Radio School (AFTRS), ranking in the top 15 in the world. She holds the position of Discipline Lead in Producing in the Master of Arts Screen course. She is also an esteemed Juror for Children’s Television internationally on both the Asia TV Awards and the International Emmys.

    Julie Greene

    Julie Greene is an Executive Producer and Creative Director and has been working in the television and film industry for over 25 years. After completing a Bachelor of Communications in 1993, Julie has worked consistently and successfully in the television and theatrical industry on several award-winning programs and shows. Julie is of diverse immigrant heritage and brings a unique cultural perspective to her work in the representation of women and diversity.

    Her career background combines experience in a number of television genres including lifestyle, reality, documentary and children. Julie has also produced and presented her own television series focusing on parenting on the Lifestyle Channel.

    After the birth of her son Jaya in 2000, Julie’s focus and passion was in children’s television and content. She worked as a Producer with Disney Channel Australia/New Zealand before being invited to produce and then executive produce the internationally acclaimed children’s series, Hi-5.

    Julie was with Hi-5 for 14 years and for 7 of those the Hi-5 television series was nominated for 7 Logie Awards over 7 consecutive years for Most Outstanding Children’s Program. This is a television industry award of the highest ranking. Hi-5 has been nominated twice for Emmy Awards, and it has had 3 successive Asia TV Awards nominations winning in 2015.

    Since then, Julie has completed a Post Graduate Certificate in Creative Business and shifted focus to produce feature films, executive producing australian indie feature Unravelling shot in Byron Bay in 2021. It premiered at Cinefest Oz in 2022 and is currently doing the film festival circuit.

    In 2021 Julie also took up a position at the prestigious Australian Film, Television & Radio School (AFTRS), ranking in the top 15 in the world. She holds the position of Discipline Lead in Producing in the Master of Arts Screen course. She is also an esteemed Juror for Children’s Television internationally on both the Asia TV Awards and the International Emmys.

    icon Job title:

    Discipline Lead, Producing

    icon Division:

    Teaching & Learning

  • Link to Essi Haukkamaa-Judge
    Essi Haukkamaa-Judge

    Essi Haukkamaa-Judge is a Finnish born producer. She has more than 25 years of work experience in the screen industry, working in different production roles in Finland and Australia, and has citizenship for both countries.

    Essi has been working in AFTRS from 2020 teaching BA Producing subjects, and as a Discipline Lead Producing (BA) from 2024. In addition to teaching, she runs production companies in Finland and Australia. The projects she has produced include feature documentaries War/Peace and Power of the People, and feature films Deserted and Santa. Essi is also currently preparing a PhD research thesis studying international co-productions from the producer’s viewpoint, at the University of Wollongong.

    Essi brings valuable experience leading undergraduate and postgraduate production programs, with a strong focus on student‑centred, industry‑connected curriculum design. As Discipline Lead for Producing and Production, she brings understanding of student pathways into industry and the capability to shape programs that respond to emerging industry needs.

    Her leadership reflects AFTRS’ core values, and her position, spanning industry practice and academic leadership, enables her to advocate for both student experience and academic standards.

    Essi Haukkamaa-Judge

    Essi Haukkamaa-Judge is a Finnish born producer. She has more than 25 years of work experience in the screen industry, working in different production roles in Finland and Australia, and has citizenship for both countries.

    Essi has been working in AFTRS from 2020 teaching BA Producing subjects, and as a Discipline Lead Producing (BA) from 2024. In addition to teaching, she runs production companies in Finland and Australia. The projects she has produced include feature documentaries War/Peace and Power of the People, and feature films Deserted and Santa. Essi is also currently preparing a PhD research thesis studying international co-productions from the producer’s viewpoint, at the University of Wollongong.

    Essi brings valuable experience leading undergraduate and postgraduate production programs, with a strong focus on student‑centred, industry‑connected curriculum design. As Discipline Lead for Producing and Production, she brings understanding of student pathways into industry and the capability to shape programs that respond to emerging industry needs.

    Her leadership reflects AFTRS’ core values, and her position, spanning industry practice and academic leadership, enables her to advocate for both student experience and academic standards.

    icon Job title:

    Discipline Lead, Producing; Academic Board Teaching Staff Member

    icon Division:

    Academic Board, Teaching & Learning

  • Link to Natalie Beak
    Natalie Beak

    Natalie Beak is a Production Designer and Art Director who has worked throughout Australia and the UK. Since completing her Masters at the Australian, Film Television and Radio School (AFTRS) in 2006, Natalie has worked extensively in film, television, commercial and event production.
    In 2007, she was the inaugural recipient of the Thelma Afford Award for excellence in Costume Design. Natalie has worked as Art Director on large-scale television productions including The Voice and Australia’s Next Top Model. She has designed independent films including Between Two Lines, Closed Doors and the Berlinale Crystal Bear Award-winning film Franswa Sharl. Natalie was Production Designer for all four seasons of ABC’s Black Comedy and designed the First Nation’s anthology feature film, We Are Still Here, which opened the 2022 Sydney Film Festival. Her latest project was the Stan Drama Series, Year Of – a raw, joyful exploration of teenage relationships set in the inner-urban world of Glebe.
    With over 15 years of experience, Natalie is now AFTRS’ Discipline Lead in Production Design and serves as the Australian Screen Industry Guild Representative for the Australian Production Design Guild (APDG). Passionate about mentoring emerging practitioners, Natalie remains actively engaged in the industry, with a particular focus on new technologies and collaborative frameworks.

    Natalie Beak

    Natalie Beak is a Production Designer and Art Director who has worked throughout Australia and the UK. Since completing her Masters at the Australian, Film Television and Radio School (AFTRS) in 2006, Natalie has worked extensively in film, television, commercial and event production.
    In 2007, she was the inaugural recipient of the Thelma Afford Award for excellence in Costume Design. Natalie has worked as Art Director on large-scale television productions including The Voice and Australia’s Next Top Model. She has designed independent films including Between Two Lines, Closed Doors and the Berlinale Crystal Bear Award-winning film Franswa Sharl. Natalie was Production Designer for all four seasons of ABC’s Black Comedy and designed the First Nation’s anthology feature film, We Are Still Here, which opened the 2022 Sydney Film Festival. Her latest project was the Stan Drama Series, Year Of – a raw, joyful exploration of teenage relationships set in the inner-urban world of Glebe.
    With over 15 years of experience, Natalie is now AFTRS’ Discipline Lead in Production Design and serves as the Australian Screen Industry Guild Representative for the Australian Production Design Guild (APDG). Passionate about mentoring emerging practitioners, Natalie remains actively engaged in the industry, with a particular focus on new technologies and collaborative frameworks.

    icon Job title:

    Discipline Lead, Production Design

    icon Division:

    Teaching & Learning

  • Link to Roland Gallois
    Roland Gallois

    Roland Gallois is a film and documentary editor with over 20 years experience. He is best know for his work on the feature film Samson and Delilah which won the 2010 ‘Camera D’Or’ prize at the Cannes Film Festival.

    Other works of note include the features The Hunter with Willem Defoe and Slow West with Michael Fassbender. Roland has also won a 2005 AFI/AACTA award for the documentary Painting Light in a Dark World.

    Learn about the Master of Arts Screen: Editing here.

    https://www.youtube.com/watch?v=DRGjyPbn4yc

    Roland Gallois

    Roland Gallois is a film and documentary editor with over 20 years experience. He is best know for his work on the feature film Samson and Delilah which won the 2010 ‘Camera D’Or’ prize at the Cannes Film Festival.

    Other works of note include the features The Hunter with Willem Defoe and Slow West with Michael Fassbender. Roland has also won a 2005 AFI/AACTA award for the documentary Painting Light in a Dark World.

    Learn about the Master of Arts Screen: Editing here.

    https://www.youtube.com/watch?v=DRGjyPbn4yc

    icon Job title:

    Discipline Lead, Editing

    icon Division:

    Teaching & Learning

  • Link to Indrani Kopal
    Indrani Kopal

    Indrani Kopal is an award-winning documentary director, editor and former Fulbright scholar with over 15 years of global practice spanning Southeast Asia and the United States. As a former video journalist, Indrani's films often focus on social issues and marginalised communities, particularly emphasising human rights and gender equality.
    Indrani was selected for an International Emerging Filmmakers Fellowship at George Washington University in 2010 and mentored by Emmy Award-winning documentarian Nina Gilden Seavey. She holds a Bachelor's Degree in Multimedia Communication from Malaysia and a Master of Fine Arts in Documentary Studies and Production from Hofstra University in New York, where she studied on a Fulbright Scholarship in 2012.
    Indrani's portfolio includes Incarcerated Rhythm (Harlem Film Festival 2018), The Game Changer (Cannes Short Film Corner 2015), Teacher, the Tradition Bearer (2017) Before the Trees Was Strange (editor - Bahamas Film Festival 2016), Inclusion Equal to Love (2016) and She's My Son (Freedom Film Festival 2007). Notable television credits include "Antha Naal," a historical documentary series for ASTRO. Recognised as one of Tatler's Generation T List in 2019, Indrani is celebrated for her impactful contributions to the field.
    In addition to her recent teaching at AFTRS, Indrani has taught editing at SAE Creative Media Institute in Sydney, and she served as a Senior Lecturer at Taylor's University in Malaysia.

    Indrani Kopal

    Indrani Kopal is an award-winning documentary director, editor and former Fulbright scholar with over 15 years of global practice spanning Southeast Asia and the United States. As a former video journalist, Indrani's films often focus on social issues and marginalised communities, particularly emphasising human rights and gender equality.
    Indrani was selected for an International Emerging Filmmakers Fellowship at George Washington University in 2010 and mentored by Emmy Award-winning documentarian Nina Gilden Seavey. She holds a Bachelor's Degree in Multimedia Communication from Malaysia and a Master of Fine Arts in Documentary Studies and Production from Hofstra University in New York, where she studied on a Fulbright Scholarship in 2012.
    Indrani's portfolio includes Incarcerated Rhythm (Harlem Film Festival 2018), The Game Changer (Cannes Short Film Corner 2015), Teacher, the Tradition Bearer (2017) Before the Trees Was Strange (editor - Bahamas Film Festival 2016), Inclusion Equal to Love (2016) and She's My Son (Freedom Film Festival 2007). Notable television credits include "Antha Naal," a historical documentary series for ASTRO. Recognised as one of Tatler's Generation T List in 2019, Indrani is celebrated for her impactful contributions to the field.
    In addition to her recent teaching at AFTRS, Indrani has taught editing at SAE Creative Media Institute in Sydney, and she served as a Senior Lecturer at Taylor's University in Malaysia.

    icon Job title:

    BA Discipline Lead, Editing

    icon Division:

    Teaching & Learning

  • Link to Dr. Gerald Mair
    Dr. Gerald Mair

    Dr. Gerald Mair was born and brought up on the west coast of Scotland. In 2004 he relocated to Melbourne in Victoria. As a sound practitioner his career has involved working in sound post-production as a sound editor, designer and mixer on a range of projects from TVC’s to documentary films.

    He has composed and produced the soundtracks for two internationally award-winning contemporary dance performances with Lucy Guerin, one of Australia’s leading choreographers. He has also worked on a range of arts projects collaborating with visual artists and has been commissioned to produce the soundtracks for a number of high-profile art installations.

    Gerald has been teaching full-time in the higher education sector since 2012. In his former role he developed and run the sound courses within the School of Film and Television at Swinburne University of Technology, Melbourne and has been senior lecturer in Sound for the BASP since 2017.

    Dr. Gerald Mair

    Dr. Gerald Mair was born and brought up on the west coast of Scotland. In 2004 he relocated to Melbourne in Victoria. As a sound practitioner his career has involved working in sound post-production as a sound editor, designer and mixer on a range of projects from TVC’s to documentary films.

    He has composed and produced the soundtracks for two internationally award-winning contemporary dance performances with Lucy Guerin, one of Australia’s leading choreographers. He has also worked on a range of arts projects collaborating with visual artists and has been commissioned to produce the soundtracks for a number of high-profile art installations.

    Gerald has been teaching full-time in the higher education sector since 2012. In his former role he developed and run the sound courses within the School of Film and Television at Swinburne University of Technology, Melbourne and has been senior lecturer in Sound for the BASP since 2017.

    icon Job title:

    Discipline Lead, Sound

    icon Division:

    Teaching & Learning

  • Link to Dr. Peter Cox
    Dr. Peter Cox

    Peter Cox is an award-winning television writer and creator who works across a broad range of genres.
    Peter’s first series was The Insider’s Guide to Happiness which won six awards at the 2002 NZ Film and Television Awards, including Best Script and Best Drama Series, screening on SBS in Australia. Since, Peter has developed and/or created TV series in both drama and comedy with platforms as diverse as SBS, Foxtel, Warner Bros Discovery, Paramount/Viacom and NBCUniversal UK.
    As creator, Peter’s series have won more than 30 NZ Film and TV awards (including two further best NZ drama series awards), and been distributed in Australia, Canada, the UK, Asia, Europe, and the US. Most recently Peter won a 2021 Australian Writers' Guild Award, Best Mini-Series Screenplay for historical crime drama New Gold Mountain, of which he was creator/head writer/co-producer.
    Peter also has a PhD in Creative Writing, focusing on collaborative creative process, and served for four terms as the president of the NZ Writers’ Guild.

    Dr. Peter Cox

    Peter Cox is an award-winning television writer and creator who works across a broad range of genres.
    Peter’s first series was The Insider’s Guide to Happiness which won six awards at the 2002 NZ Film and Television Awards, including Best Script and Best Drama Series, screening on SBS in Australia. Since, Peter has developed and/or created TV series in both drama and comedy with platforms as diverse as SBS, Foxtel, Warner Bros Discovery, Paramount/Viacom and NBCUniversal UK.
    As creator, Peter’s series have won more than 30 NZ Film and TV awards (including two further best NZ drama series awards), and been distributed in Australia, Canada, the UK, Asia, Europe, and the US. Most recently Peter won a 2021 Australian Writers' Guild Award, Best Mini-Series Screenplay for historical crime drama New Gold Mountain, of which he was creator/head writer/co-producer.
    Peter also has a PhD in Creative Writing, focusing on collaborative creative process, and served for four terms as the president of the NZ Writers’ Guild.

    icon Job title:

    Lecturer, Screenwriting

    icon Division:

    Teaching & Learning

  • Link to Catherine Kelleher
    Catherine Kelleher

    Catherine Kelleher is an AWGIE-nominated screenwriter and director. She’s worked as a script coordinator and writers' room note-taker on series such as Glitch, Janet King, and The Secrets She Keeps. She previously worked in development at Lingo Pictures (After the Party, Upright, The Secrets She Keeps) and from 2021 to 2024 she worked as the Scripted Development Executive at SBS, assisting the commissioning team in developing Safe Home, Erotic Stories, Swift Street, Four Years Later, and the SBS Digital Originals initiative.

    Catherine's short films have screened at several local and international film festivals, and in 2020 she was selected for the Imagine Impact Australia. She has been teaching Screenwriting for the BA program at AFTRS since 2025 and is developing several film and TV projects.

    Catherine Kelleher

    Catherine Kelleher is an AWGIE-nominated screenwriter and director. She’s worked as a script coordinator and writers' room note-taker on series such as Glitch, Janet King, and The Secrets She Keeps. She previously worked in development at Lingo Pictures (After the Party, Upright, The Secrets She Keeps) and from 2021 to 2024 she worked as the Scripted Development Executive at SBS, assisting the commissioning team in developing Safe Home, Erotic Stories, Swift Street, Four Years Later, and the SBS Digital Originals initiative.

    Catherine's short films have screened at several local and international film festivals, and in 2020 she was selected for the Imagine Impact Australia. She has been teaching Screenwriting for the BA program at AFTRS since 2025 and is developing several film and TV projects.

    icon Job title:

    Lecturer, Screenwriting

    icon Division:

    Teaching & Learning

  • Link to Kate Blackmore
    Kate Blackmore

    Kate is a filmmaker whose practice spans fiction, non-fiction and experimental forms of storytelling. Her debut feature documentary MAKE IT LOOK REAL premiered at SXSW in Austin, Texas, and is currently screening on Netflix. She has written, directed, and produced over 25 short documentaries for the ABC, including the Walkley Award-nominated series THE MOVEMENT.

    Her hybrid documentary THE WOMAN AND THE CAR was commissioned through the prestigious HIVE initiative - a partnership between the ABC, Screen Australia, and Adelaide Film Festival. Her narrative short WE CIRCLE SILENTLY was a Dendy Award finalist at the Sydney Film Festival. Kate holds a BFA/BA (Hons) from UNSW Art & Design and an MA in Visual and Media Anthropology from Freie Universität Berlin.

    Kate Blackmore

    Kate is a filmmaker whose practice spans fiction, non-fiction and experimental forms of storytelling. Her debut feature documentary MAKE IT LOOK REAL premiered at SXSW in Austin, Texas, and is currently screening on Netflix. She has written, directed, and produced over 25 short documentaries for the ABC, including the Walkley Award-nominated series THE MOVEMENT.

    Her hybrid documentary THE WOMAN AND THE CAR was commissioned through the prestigious HIVE initiative - a partnership between the ABC, Screen Australia, and Adelaide Film Festival. Her narrative short WE CIRCLE SILENTLY was a Dendy Award finalist at the Sydney Film Festival. Kate holds a BFA/BA (Hons) from UNSW Art & Design and an MA in Visual and Media Anthropology from Freie Universität Berlin.

    icon Job title:

    Lecturer, BA Directing

    icon Division:

    Teaching & Learning

  • Link to Darlene Johnson
    Darlene Johnson

    Darlene is a Dunghutti woman from Belbrook. She is a Walkley, Australian Directors Guild, International EMMY, AFI, IF and Logie nominated director.

    Darlene Johnson

    Darlene is a Dunghutti woman from Belbrook. She is a Walkley, Australian Directors Guild, International EMMY, AFI, IF and Logie nominated director.

    icon Job title:

    BA Directing Lecturer

    icon Division:

    Teaching & Learning

  • Link to Megan Simpson Huberman
    Megan Simpson Huberman

    Megan Simpson Huberman is a writer, director, development consultant, script editor, story producer and senior development, production, and creative executive in the Australian screen industry. She has written, directed, and developed feature films, TV drama, comedy, and documentary, and worked with hundreds of writers, directors, and producers across Australia.

    A directing graduate of the Australian and French film schools, Megan has a thirty-year career in the film and television industry. She is known for warm, appealing and accessible storytelling. She works across both Australia and Asia, with recent projects including the highly successful series KL Gangster: Underworld for iflix Malaysia, one of the most ambitious and acclaimed TV dramas in that country’s history. She is currently writer and co-creator of the mini series Goolagong, in development with the ABC.

    Megan has held major executive roles in the screen industry, including Director of Development and Production Investment at Screen NSW, Development Executive at Screen Australia, and Director of the Indivision Project Lab at the Australian Film Commission, and features that she has backed have been selected for Cannes, Venice, Berlin and Toronto.

    Dating The Enemy, Megan’s second feature (starring Guy Pearce), which she wrote and directed, was a significant box office success in Australia, where it attracted a huge following and became one of the highest rating movies of the year on network television subsequent to its theatrical release. The film garnered an Australian Film Institute Best Actress nomination for its female lead, Claudia Karvan. Alex, her first feature after graduating from Australian and French film schools, screened in competition at the Toronto Film Festival.

    In 2015, Megan wrote and was attached to direct the feature adaptation of Salvation Creek, based on the best selling memoir published by Random House, to be distributed by Paramount, with finance approved from Screen Australia.

    Megan has run Aurora, the southern hemisphere's premium feature film script development workshop; and she is a member of the Australian Directors' Guild Women In Film Action Committee, which helped launch the Gender Matters initiative in Australia. Megan has three degrees from three film schools.

    Megan Simpson Huberman

    Megan Simpson Huberman is a writer, director, development consultant, script editor, story producer and senior development, production, and creative executive in the Australian screen industry. She has written, directed, and developed feature films, TV drama, comedy, and documentary, and worked with hundreds of writers, directors, and producers across Australia.

    A directing graduate of the Australian and French film schools, Megan has a thirty-year career in the film and television industry. She is known for warm, appealing and accessible storytelling. She works across both Australia and Asia, with recent projects including the highly successful series KL Gangster: Underworld for iflix Malaysia, one of the most ambitious and acclaimed TV dramas in that country’s history. She is currently writer and co-creator of the mini series Goolagong, in development with the ABC.

    Megan has held major executive roles in the screen industry, including Director of Development and Production Investment at Screen NSW, Development Executive at Screen Australia, and Director of the Indivision Project Lab at the Australian Film Commission, and features that she has backed have been selected for Cannes, Venice, Berlin and Toronto.

    Dating The Enemy, Megan’s second feature (starring Guy Pearce), which she wrote and directed, was a significant box office success in Australia, where it attracted a huge following and became one of the highest rating movies of the year on network television subsequent to its theatrical release. The film garnered an Australian Film Institute Best Actress nomination for its female lead, Claudia Karvan. Alex, her first feature after graduating from Australian and French film schools, screened in competition at the Toronto Film Festival.

    In 2015, Megan wrote and was attached to direct the feature adaptation of Salvation Creek, based on the best selling memoir published by Random House, to be distributed by Paramount, with finance approved from Screen Australia.

    Megan has run Aurora, the southern hemisphere's premium feature film script development workshop; and she is a member of the Australian Directors' Guild Women In Film Action Committee, which helped launch the Gender Matters initiative in Australia. Megan has three degrees from three film schools.

    icon Job title:

    Lecturer, Directing

    icon Division:

    Teaching & Learning

  • Link to Hannah Hilliard
    Hannah Hilliard

    Hannah Hilliard is a multi-award winning AFTRS graduate who has worked as a director in film, television, and commercials. She has written and directed five short films that have been critically acclaimed internationally. Her Screen Australia funded short film, Franswa Sharl, won the prestigious Crystal Bear for Best Short Film at the 60th Berlin Film Festival and Best Short Film at Melbourne International Film Festival, before going on to win several other major accolades. Her previous short films also won awards and were sold to broadcasters worldwide.  Based on her short film works, Hannah was the inaugural recipient of the Screen Australia Director’s Acclaim Fund.

    Hannah is particularly known for her natural storytelling ability, and eye for performance direction. She cast both Mia Wasikowska and Callan McAuliffe at the age of fourteen in their early short film roles, demonstrating her talent for discovering young actors. Hannah has also directed Margot Robbie in several episodes of Neighbours, and was invited to direct David Wenham as Obi-Wan Kenobi in the Flickerfest ‘Star Wars’ Trailer.

    As a commercial’s director Hannah has worked internationally with advertising agencies on high profile brands including Intel, Adidas and Dettol. Her Intel Visibly Smart campaign shot in Indonesia, was produced by global transmedia company @radical.media. and generated publicity worldwide.

    Hannah is currently developing her feature project Mimesis, with South Australian producer Kristian Moliere (The Babadook, Wake in Fright) and the support of Screen Australia.

    Hannah Hilliard

    Hannah Hilliard is a multi-award winning AFTRS graduate who has worked as a director in film, television, and commercials. She has written and directed five short films that have been critically acclaimed internationally. Her Screen Australia funded short film, Franswa Sharl, won the prestigious Crystal Bear for Best Short Film at the 60th Berlin Film Festival and Best Short Film at Melbourne International Film Festival, before going on to win several other major accolades. Her previous short films also won awards and were sold to broadcasters worldwide.  Based on her short film works, Hannah was the inaugural recipient of the Screen Australia Director’s Acclaim Fund.

    Hannah is particularly known for her natural storytelling ability, and eye for performance direction. She cast both Mia Wasikowska and Callan McAuliffe at the age of fourteen in their early short film roles, demonstrating her talent for discovering young actors. Hannah has also directed Margot Robbie in several episodes of Neighbours, and was invited to direct David Wenham as Obi-Wan Kenobi in the Flickerfest ‘Star Wars’ Trailer.

    As a commercial’s director Hannah has worked internationally with advertising agencies on high profile brands including Intel, Adidas and Dettol. Her Intel Visibly Smart campaign shot in Indonesia, was produced by global transmedia company @radical.media. and generated publicity worldwide.

    Hannah is currently developing her feature project Mimesis, with South Australian producer Kristian Moliere (The Babadook, Wake in Fright) and the support of Screen Australia.

    icon Job title:

    Lecturer, Directing

    icon Division:

    Teaching & Learning

  • Link to Kirk Marcolina
    Kirk Marcolina

    Kirk Marcolina has worked in television and documentary for over 25 years as a Producer, Director and Editor. Kirk’s features include Limited Partnership and The Life and Crimes of Doris Payne, both of which have received critical acclaim and awards, screening at leading international festivals. Kirk has also produced, directed and edited for networks including HBO, Bravo, Disney Channel, SBS and MTV. Kirk is also an experienced lecturer, having previously taught Documentary Production at California State University. He relocated to Australia in 2012 and served as the Advertising Director for Australian Marriage Equality. Kirk currently sits on the Board of Directors of the Antenna Documentary Film Festival and REELise Inc, a youth film festival and platform to fight cyberbullying.

    Kirk Marcolina

    Kirk Marcolina has worked in television and documentary for over 25 years as a Producer, Director and Editor. Kirk’s features include Limited Partnership and The Life and Crimes of Doris Payne, both of which have received critical acclaim and awards, screening at leading international festivals. Kirk has also produced, directed and edited for networks including HBO, Bravo, Disney Channel, SBS and MTV. Kirk is also an experienced lecturer, having previously taught Documentary Production at California State University. He relocated to Australia in 2012 and served as the Advertising Director for Australian Marriage Equality. Kirk currently sits on the Board of Directors of the Antenna Documentary Film Festival and REELise Inc, a youth film festival and platform to fight cyberbullying.

    icon Job title:

    Lecturer, Documentary

    icon Division:

    Teaching & Learning

  • Link to Vanna Morosini
    Vanna Morosini

    Dr Vanna Morosini is a writer and producer, and the company principal of Flying Kite Pictures. She is the creator, writer and series producer of Are You Tougher than Your Ancestors? the ABC Children's & Family original factual series produced with support from the ABC, the Australian Children’s Television Foundation and the South Australian Film Corporation. The series was a finalist in the AACTA 2020 Best Children’s Program category, a professional jury prize winner at the Academy Award qualifying 2020 Chicago International Children’s Film Festival, a double nominee for Best Factual Television Series and Best Children’s Television Program and winner of the Best Factual Television Series at the 2020 ATOM Awards, a special merit winner at the AEAF 2020 Awards and a finalist in the Children’s Series Production of the Year category at the 2022 SPA Awards.

    Vanna holds a Bachelor of Arts in Theatre and Film from the University of NSW, Honours (First Class) and a PhD in Creative Writing from the University of Adelaide and an Advanced Diploma in Screenwriting: Series Television from the Australian Film, Television and Radio School.

    Vanna Morosini

    Dr Vanna Morosini is a writer and producer, and the company principal of Flying Kite Pictures. She is the creator, writer and series producer of Are You Tougher than Your Ancestors? the ABC Children's & Family original factual series produced with support from the ABC, the Australian Children’s Television Foundation and the South Australian Film Corporation. The series was a finalist in the AACTA 2020 Best Children’s Program category, a professional jury prize winner at the Academy Award qualifying 2020 Chicago International Children’s Film Festival, a double nominee for Best Factual Television Series and Best Children’s Television Program and winner of the Best Factual Television Series at the 2020 ATOM Awards, a special merit winner at the AEAF 2020 Awards and a finalist in the Children’s Series Production of the Year category at the 2022 SPA Awards.

    Vanna holds a Bachelor of Arts in Theatre and Film from the University of NSW, Honours (First Class) and a PhD in Creative Writing from the University of Adelaide and an Advanced Diploma in Screenwriting: Series Television from the Australian Film, Television and Radio School.

    icon Job title:

    Lecturer, Producing

    icon Division:

    Teaching & Learning

  • Link to Yingna Lu
    Yingna Lu

    Yingna Lu is a creative producer with a background in advertising. She co-founded Spaceboy Studios with Steve Anthopoulos, which received Screen Australia Enterprise funding in 2023.

    Lu’s first gig was with Bill Leimbach, working in feature development and music management for Lime Cordiale. From there, Lu produced scripted digital shows for ABC and Foxtel with Matilda and Bryan Brown and numerous Vimeo Staff Pick videos, including music clips for Rüfüs Du Sol, SBCR and short film We’re All Going to Die. Lu was among Screen Producers Australia’s Ones to Watch in 2016, winning Screen Australia’s $20,000 screen Internship. She's had shorts that were selected for Berlinale, SXSW, Melbourne, Sydney Film Festival, and Tribeca.

    Her 2022 short Voice Activated was nominated for an AACTA and won Short Film Production of the Year at the 2023 SPA Awards. Yingna produced the 10-part ABC AACTA-nominated second season of The PM’s Daughter with Fremantle, and most recently ABC's half hour series Caper Crew with Easy Tiger (Colin from Accounts) airing in April 2026. She is now in development on the Spaceboy slate including feature Keep Walking (w/d Petropoulos, EP Liz Watts), supported by Screen NSW’s Short to Feature Fast Track initiative.

    Yingna Lu

    Yingna Lu is a creative producer with a background in advertising. She co-founded Spaceboy Studios with Steve Anthopoulos, which received Screen Australia Enterprise funding in 2023.

    Lu’s first gig was with Bill Leimbach, working in feature development and music management for Lime Cordiale. From there, Lu produced scripted digital shows for ABC and Foxtel with Matilda and Bryan Brown and numerous Vimeo Staff Pick videos, including music clips for Rüfüs Du Sol, SBCR and short film We’re All Going to Die. Lu was among Screen Producers Australia’s Ones to Watch in 2016, winning Screen Australia’s $20,000 screen Internship. She's had shorts that were selected for Berlinale, SXSW, Melbourne, Sydney Film Festival, and Tribeca.

    Her 2022 short Voice Activated was nominated for an AACTA and won Short Film Production of the Year at the 2023 SPA Awards. Yingna produced the 10-part ABC AACTA-nominated second season of The PM’s Daughter with Fremantle, and most recently ABC's half hour series Caper Crew with Easy Tiger (Colin from Accounts) airing in April 2026. She is now in development on the Spaceboy slate including feature Keep Walking (w/d Petropoulos, EP Liz Watts), supported by Screen NSW’s Short to Feature Fast Track initiative.

    icon Job title:

    Lecturer, Producing

    icon Division:

    Teaching & Learning

  • Link to Virginia Mesiti
    Virginia Mesiti

    Virginia Mesiti is a visual storyteller who is drawn to character driven drama and projects she can build worlds within. Her passion for colour, research and developing a rich backstory drive her creatively.
    Her Production Design credits include some of our most loved Australian TV such as After the Verdict, Diary of an Uber Driver, The Moodys, A Moody Christmas, No Activity and the Seachange reboot. She also Production Designed AFTRS Alumni Craig Boreham’s debut feature film, Teenage Kicks with fellow Alumni Bonnie Elliott as Cinematographer. Her most recent credit was as Assistant Set Decorator on George Miller’s Three Thousand Years of Longing.
    Virginia has been nominated for an APDG Award for her work in TV commercials this year as well as in 2016 and again in 2018 for her design work on the short film A Low Hum.
    Virginia graduated from AFTRS Masters Program in 2004. She has balanced mentoring with industry work and tutored previously into the Graduate Diploma and BA programs and is returning as a Senior Lecturer in the MAS: Production Design.

    Virginia Mesiti

    Virginia Mesiti is a visual storyteller who is drawn to character driven drama and projects she can build worlds within. Her passion for colour, research and developing a rich backstory drive her creatively.
    Her Production Design credits include some of our most loved Australian TV such as After the Verdict, Diary of an Uber Driver, The Moodys, A Moody Christmas, No Activity and the Seachange reboot. She also Production Designed AFTRS Alumni Craig Boreham’s debut feature film, Teenage Kicks with fellow Alumni Bonnie Elliott as Cinematographer. Her most recent credit was as Assistant Set Decorator on George Miller’s Three Thousand Years of Longing.
    Virginia has been nominated for an APDG Award for her work in TV commercials this year as well as in 2016 and again in 2018 for her design work on the short film A Low Hum.
    Virginia graduated from AFTRS Masters Program in 2004. She has balanced mentoring with industry work and tutored previously into the Graduate Diploma and BA programs and is returning as a Senior Lecturer in the MAS: Production Design.

    icon Job title:

    Lecturer, Production Design

    icon Division:

    Teaching & Learning

  • Link to Michael Philips
    Michael Philips

    After qualifying as an architect, Michael worked for the Zimbabwean Ministry of Housing before entering the film industry in the 1980s as a set designer. Thirty years on he has production designed dozens of feature films, a handful of television dramas and hundreds of commercials all over the world. He has won awards for best production design in both Australia and Africa.

    Michael’s production design credits include Praise (directed by John Curran), Bopha (directed by Morgan Freeman), Garage Days (directed by Alex Proyas) and The Well (directed by Samantha Lang).

    Concurrent with his production design work, Michael taught, tutored and mentored students at AFTRS and various other film schools, as well as researching and drafting curricula for BA, MA and Advanced Diploma design courses. He is currently teaching and developing curricula in his role as Senior Lecturer – Production Design at AFTRS.

    Michael Philips

    After qualifying as an architect, Michael worked for the Zimbabwean Ministry of Housing before entering the film industry in the 1980s as a set designer. Thirty years on he has production designed dozens of feature films, a handful of television dramas and hundreds of commercials all over the world. He has won awards for best production design in both Australia and Africa.

    Michael’s production design credits include Praise (directed by John Curran), Bopha (directed by Morgan Freeman), Garage Days (directed by Alex Proyas) and The Well (directed by Samantha Lang).

    Concurrent with his production design work, Michael taught, tutored and mentored students at AFTRS and various other film schools, as well as researching and drafting curricula for BA, MA and Advanced Diploma design courses. He is currently teaching and developing curricula in his role as Senior Lecturer – Production Design at AFTRS.

    icon Job title:

    Lecturer, BA Production Design

    icon Division:

    Teaching & Learning

  • Link to Annabel Davis
    Annabel Davis

    Annabel is a creative industries leader, producer and educator with extensive experience across Australia’s screen and arts sectors. She is currently CEO of Co-Curious, an innovative arts company dedicated to developing bold new screen content and supporting diverse voices.

    Annabel has led a range of industry development initiatives and creative projects focused on equity, access and representation. She was a producer on the award-winning feature film Here Out West, which premiered at the Sydney Film Festival and received multiple national nominations and awards, and is part of the producing team for a collabroative feature film project in partnership with Powerhouse Parramatta.

    With a background spanning the Australian Writers’ Guild, CuriousWorks and independent production, Annabel brings deep expertise in screen development, stakeholder engagement and industry partnerships. She has strong connections across broadcasters, production companies, government and community organisations.

    Annabel holds a Master of Development Studies (Community Development) from UNSW and is passionate about creating inclusive pathways for emerging creatives and fostering stories that reflect contemporary Australia.

    Annabel Davis

    Annabel is a creative industries leader, producer and educator with extensive experience across Australia’s screen and arts sectors. She is currently CEO of Co-Curious, an innovative arts company dedicated to developing bold new screen content and supporting diverse voices.

    Annabel has led a range of industry development initiatives and creative projects focused on equity, access and representation. She was a producer on the award-winning feature film Here Out West, which premiered at the Sydney Film Festival and received multiple national nominations and awards, and is part of the producing team for a collabroative feature film project in partnership with Powerhouse Parramatta.

    With a background spanning the Australian Writers’ Guild, CuriousWorks and independent production, Annabel brings deep expertise in screen development, stakeholder engagement and industry partnerships. She has strong connections across broadcasters, production companies, government and community organisations.

    Annabel holds a Master of Development Studies (Community Development) from UNSW and is passionate about creating inclusive pathways for emerging creatives and fostering stories that reflect contemporary Australia.

    icon Job title:

    Lecturer, MA Professional Practice

    icon Division:

    Teaching & Learning

  • Link to Tom Gleeson
    Tom Gleeson

    Tom Gleeson is a cinematographer initially trained at ABC TV. He has gone on to work internationally in feature films, commercials, and to documentary subjects as diverse as inside Maximum Security Jail to the pristine wilderness of the South Pole.
    Awards include a Nomination for a Primetime Emmy in the USA and awards from the Australian Cinematographers Society including Gold for the opening title sequence for ABC TV’s Drama “Redfern Now”.
    He has worked on many Feature films including the Oscar winning “Happy Feet”  and Shane Abbess’s “Infini” and “The Osiris Child.” Most recently he was Second Unit DOP on the Australian and USA co produced feature “Better Watch Out.” Tom was also DOP on both of Screen Australia’s funded two Web Series “Airlock” and “Event Zero.” Tom has also photographed over 100 TVCs for major brands.

    Tom Gleeson

    Tom Gleeson is a cinematographer initially trained at ABC TV. He has gone on to work internationally in feature films, commercials, and to documentary subjects as diverse as inside Maximum Security Jail to the pristine wilderness of the South Pole.
    Awards include a Nomination for a Primetime Emmy in the USA and awards from the Australian Cinematographers Society including Gold for the opening title sequence for ABC TV’s Drama “Redfern Now”.
    He has worked on many Feature films including the Oscar winning “Happy Feet”  and Shane Abbess’s “Infini” and “The Osiris Child.” Most recently he was Second Unit DOP on the Australian and USA co produced feature “Better Watch Out.” Tom was also DOP on both of Screen Australia’s funded two Web Series “Airlock” and “Event Zero.” Tom has also photographed over 100 TVCs for major brands.

    icon Job title:

    Lecturer, Cinematography

    icon Division:

    Teaching & Learning

  • Link to Phillippa Harvey
    Phillippa Harvey

    After studying fine art printmaking and photography at art school in SA, Phillippa came to Sydney and began working for Pilgrim Films as an assistant editor, followed by several years at the ABC assisting on documentaries and TV drama series. With so much content needed for broadcast, she soon began editing short art documentaries, education programs and sports stories.

    Wanting to work on larger productions, Phillippa left the ABC to freelance, and began assisting on feature films and TV series, later editing documentaries and drama projects.

    She decided to go back to studying, and completed a Grad Cert in Glassmaking at Sydney College of Arts, an M. Art in Photography at COFA, and a Grad Certificate in Adult Education at UTS. It was during this time she began teaching video, photography and editing at Metro Television, Eora TAFE and AFTRS. She now teaches into both the BA and MA editing courses.

    Phillippa loves teaching all aspects of editing theory and practice, being part of the screen industry through training and education, and being involved in the development of the students’ projects. She finds AFTRS an amazing environment in which to work and study, saying it is “an exciting and stimulating place for everyone who loves all screen arts because it constantly looks towards innovation and ground breaking story telling – like the industry itself.”

    Phillippa Harvey

    After studying fine art printmaking and photography at art school in SA, Phillippa came to Sydney and began working for Pilgrim Films as an assistant editor, followed by several years at the ABC assisting on documentaries and TV drama series. With so much content needed for broadcast, she soon began editing short art documentaries, education programs and sports stories.

    Wanting to work on larger productions, Phillippa left the ABC to freelance, and began assisting on feature films and TV series, later editing documentaries and drama projects.

    She decided to go back to studying, and completed a Grad Cert in Glassmaking at Sydney College of Arts, an M. Art in Photography at COFA, and a Grad Certificate in Adult Education at UTS. It was during this time she began teaching video, photography and editing at Metro Television, Eora TAFE and AFTRS. She now teaches into both the BA and MA editing courses.

    Phillippa loves teaching all aspects of editing theory and practice, being part of the screen industry through training and education, and being involved in the development of the students’ projects. She finds AFTRS an amazing environment in which to work and study, saying it is “an exciting and stimulating place for everyone who loves all screen arts because it constantly looks towards innovation and ground breaking story telling – like the industry itself.”

    icon Job title:

    Lecturer, Editing

    icon Division:

    Teaching & Learning

  • Link to Alexander Hoetzer
    Alexander Hoetzer

    Alexander Hoetzer is an experienced visual effects artist with almost 20 years’ experience in a range of screen industries, across a broad range of disciplines. With experience in film, games, documentary and animation, both in Australia and overseas, Alex brings a broad range of professional experience to his practice and to his teaching.

    Entering the industry as a camera assistant, Alex quickly gained experience in a range of production areas before moving into the edit room and finally a visual effects seat. An active freelance artist, Alex prides himself on balancing his own professional practice with his role at AFTRS.

    With a strong focus on core skills and employment outcomes, Alex brings an industry-focused approach to his teaching, drawing from active experience on contemporary film and commercial projects, as well as experience with state-of-the-art technologies.

    Alexander Hoetzer

    Alexander Hoetzer is an experienced visual effects artist with almost 20 years’ experience in a range of screen industries, across a broad range of disciplines. With experience in film, games, documentary and animation, both in Australia and overseas, Alex brings a broad range of professional experience to his practice and to his teaching.

    Entering the industry as a camera assistant, Alex quickly gained experience in a range of production areas before moving into the edit room and finally a visual effects seat. An active freelance artist, Alex prides himself on balancing his own professional practice with his role at AFTRS.

    With a strong focus on core skills and employment outcomes, Alex brings an industry-focused approach to his teaching, drawing from active experience on contemporary film and commercial projects, as well as experience with state-of-the-art technologies.

    icon Job title:

    Lecturer, Animation/VFX

    icon Division:

    Teaching & Learning

  • Link to Dr. Mark Ward
    Dr. Mark Ward

    Dr. Mark Ward is a sound designer and media educator with over 30 years of experience, and currently teaches both the Master and Bachelor programmes at AFTRS.

    Dr. Mark Ward

    Dr. Mark Ward is a sound designer and media educator with over 30 years of experience, and currently teaches both the Master and Bachelor programmes at AFTRS.

    icon Job title:

    Lecturer, Sound

    icon Division:

    Teaching & Learning

  • Link to Alexander Gastrell
    Alexander Gastrell

    Alexander Gastrell is an AFTRS Foundation Diploma Graduate and is a past recipient of the Greg Bell Student Encouragement award from the Australian Screen Sound Guild. Based in Sydney, Alex is a current member of the Guild and works in various areas of sound including production, composing, and engineering.

    He has worked on several forms of screen media including documentaries and television commercials for networks such as SBS, 7 Network and FOX; and collaborated with both local and overseas filmmakers and artists alike.

    He has been teaching at AFTRS since 2017.

    Alexander Gastrell

    Alexander Gastrell is an AFTRS Foundation Diploma Graduate and is a past recipient of the Greg Bell Student Encouragement award from the Australian Screen Sound Guild. Based in Sydney, Alex is a current member of the Guild and works in various areas of sound including production, composing, and engineering.

    He has worked on several forms of screen media including documentaries and television commercials for networks such as SBS, 7 Network and FOX; and collaborated with both local and overseas filmmakers and artists alike.

    He has been teaching at AFTRS since 2017.

    icon Job title:

    Lecturer, Sound

    icon Division:

    Teaching & Learning

  • Link to Greg Wise
    Greg Wise

    Greg has composed, recorded, arranged and produced music for films, television series, animations, documentaries and commercials.

    After studying classical piano Greg embarked on a career as a touring and recording musician. He then returned to university to study Computer Science and founded a software engineering company that developed digital audio software, while also working in Information Technology for some of Australia’s blue chip technology and finance organisations.

    After a decade in the corporate world, Greg returned full-time to music concentrating on music for film and television. This lead to more study and he is a proud alumnus of the Australian Film Television and Radio School (AFTRS).

    Greg has been lecturing in Screen Music, Composition, Music Production and Music Technology for over 15 years at both an Undergraduate and Postgraduate level. He holds a Master’s Degree in Screen Composition (AFTRS).

    Greg Wise

    Greg has composed, recorded, arranged and produced music for films, television series, animations, documentaries and commercials.

    After studying classical piano Greg embarked on a career as a touring and recording musician. He then returned to university to study Computer Science and founded a software engineering company that developed digital audio software, while also working in Information Technology for some of Australia’s blue chip technology and finance organisations.

    After a decade in the corporate world, Greg returned full-time to music concentrating on music for film and television. This lead to more study and he is a proud alumnus of the Australian Film Television and Radio School (AFTRS).

    Greg has been lecturing in Screen Music, Composition, Music Production and Music Technology for over 15 years at both an Undergraduate and Postgraduate level. He holds a Master’s Degree in Screen Composition (AFTRS).

    icon Job title:

    Lecturer, Screen Music

    icon Division:

    Teaching & Learning

  • Link to Leigh Richards
    Leigh Richards

    Leigh is a Sydney-based Filmmaker and Educator who graduated with a Masters in Directing Drama from AFTRS, receiving that year's Travelling Scholarship to the San Sebastian International Film Festival.

    An alumnus of the Berlinale Talent Campus (now Berlinale Talents), he has spent over sixteen years working collaboratively across TV commercials, online content, and diverse projects including short films, sketch comedy and arts documentary for Television.

    He has been teaching filmmaking at a Postgraduate level for over 10 years, and is passionate about fostering an inclusive environment to promote creative collaboration.

    Leigh Richards

    Leigh is a Sydney-based Filmmaker and Educator who graduated with a Masters in Directing Drama from AFTRS, receiving that year's Travelling Scholarship to the San Sebastian International Film Festival.

    An alumnus of the Berlinale Talent Campus (now Berlinale Talents), he has spent over sixteen years working collaboratively across TV commercials, online content, and diverse projects including short films, sketch comedy and arts documentary for Television.

    He has been teaching filmmaking at a Postgraduate level for over 10 years, and is passionate about fostering an inclusive environment to promote creative collaboration.

    icon Job title:

    Lecturer, Collaborative Practice

    icon Division:

    Teaching & Learning

  • Link to Rowena Potts
    Rowena Potts

    Rowena Potts is a filmmaker and media anthropologist with a particular interest in screen production histories and cultures, documentary practice, and archives. Her award-winning short films, which often explore the entangled relationships between humans, their environments, and the non-human or more-than-human world, have screened in festivals and museums internationally. Her writing has appeared in the Visual Anthropology Review and Global Media Journal, as well as in edited collections.

    She is a co-founder of The Archival Futures Collective, a creative collaboration dedicated to making experimental films inspired by a wide range of material and digital archives around the world. She holds a PhD in Cultural Anthropology from NYU and a graduate diploma in documentary from AFTRS, and she participated in the inaugural Impact Producer Program at Documentary Australia.

    Rowena Potts

    Rowena Potts is a filmmaker and media anthropologist with a particular interest in screen production histories and cultures, documentary practice, and archives. Her award-winning short films, which often explore the entangled relationships between humans, their environments, and the non-human or more-than-human world, have screened in festivals and museums internationally. Her writing has appeared in the Visual Anthropology Review and Global Media Journal, as well as in edited collections.

    She is a co-founder of The Archival Futures Collective, a creative collaboration dedicated to making experimental films inspired by a wide range of material and digital archives around the world. She holds a PhD in Cultural Anthropology from NYU and a graduate diploma in documentary from AFTRS, and she participated in the inaugural Impact Producer Program at Documentary Australia.

    icon Job title:

    Lecturer, Creative Practice

    icon Division:

    Teaching & Learning

  • Link to Dr. Melanie Robson
    Dr. Melanie Robson

    Dr Melanie Robson is a Lecturer in Screen Studies at the Australian Film Television and Radio School (AFTRS), where she has been teaching since 2018.

    She has a PhD from UNSW Sydney exploring the long take in modernist European cinema. She has published widely, predominantly on European film and American horror film and television. This includes a co-edited a collection on Alfred Hitchcock (One Shot Hitchcock, Oxford University Press, 2024).

    She has also worked as editor and assistant editor on several short films.

    Dr. Melanie Robson

    Dr Melanie Robson is a Lecturer in Screen Studies at the Australian Film Television and Radio School (AFTRS), where she has been teaching since 2018.

    She has a PhD from UNSW Sydney exploring the long take in modernist European cinema. She has published widely, predominantly on European film and American horror film and television. This includes a co-edited a collection on Alfred Hitchcock (One Shot Hitchcock, Oxford University Press, 2024).

    She has also worked as editor and assistant editor on several short films.

    icon Job title:

    Lecturer, Screen Studies

    icon Division:

    Teaching & Learning

  • Link to Dr. Miro Bilbrough
    Dr. Miro Bilbrough

    Dr Miro Bilbrough is a filmmaker, media educator and script editor with three decades experience. Her research interests include the intervention of poetic strategies in cine-narrative and the embodiment of psychological time.

    Her short and feature films are shaped by her practice as a poet, and by her aliveness to the power of sensate cinematic worlds and the actor-director collaboration. Her films have screened in festivals and have been broadcast and awarded locally and internationally.

    Her memoir In the Time of the Manaroans was shortlisted for the NSW Premier’s Literary Awards. She holds a DCA from Western Sydney University.

    Dr. Miro Bilbrough

    Dr Miro Bilbrough is a filmmaker, media educator and script editor with three decades experience. Her research interests include the intervention of poetic strategies in cine-narrative and the embodiment of psychological time.

    Her short and feature films are shaped by her practice as a poet, and by her aliveness to the power of sensate cinematic worlds and the actor-director collaboration. Her films have screened in festivals and have been broadcast and awarded locally and internationally.

    Her memoir In the Time of the Manaroans was shortlisted for the NSW Premier’s Literary Awards. She holds a DCA from Western Sydney University.

    icon Job title:

    Lecturer, Research & Development

    icon Division:

    Teaching & Learning